Natural selection is all about the differential success of rival DNA in getting itself transmitted vertically in the species archives.
In the heavens we discover [stars] by their light, and by their light alone ... the sole evidence of the existence of these distant worlds ... that each of them is built up of molecules of the same kinds we find on earth. A molecule of hydrogen, for example, whether in Sirius or in Arcturus, executes its vibrations in precisely the same time. Each molecule therefore throughout the universe bears impressed upon it the stamp of a metric system as distinctly as does the metre of the Archives at Paris, or the royal cubit of the Temple of Karnac.
Among other things, drag queens are living testimony to the way women used to want to be, the way some people still want them to be, and the way some women still actually want to be. Drags are ambulatory archives of ideal moviestar womanhood. They perform a documentary service, usually consecrating their lives to keeping the glittering alternative alive and available for (not-too-close) inspection.
Psychedelics are not flashlights into the chaos of the Freudian unconscious, they are tools for mathematically unpacking your mind into a higher dimensional space. In the Newtonian and print created space that we are walking around in you, are like a self extracting archive, that hasn't self extracted itself yet.
Cloud storage in data centers will utilize the latest developments in physical storage virtualization, deduplication and other methods to make the most effective use of physical storage assets. Software defined storage could allow a further level of abstraction and cost effectiveness. The vast bulk of content stored "in the cloud" will reside on large SATA interface HDDs with some on magnetic (mostly LTO) tape (particularly for "archives.")
Right now our blog on the presence of tape at EMC World is seeing twice as much traffic as all the other EMC World related content. Why? Many of our readers are coming to the obvious conclusion that tape, despite the negative marketing, is still an optimal way to protect and archive their information.
For example, because I'm a lapsed geologist, I followed the eruption of Icelandic volcano Eyjafjallajökull in 2010 in great detail, amassing a huge number of links to news articles, blog posts, scientific papers, web cams, video and photos. That archive came to the attention of Chatham House, and they then commissioned me to research the way in which the media responded to the ash cloud crisis. I think that's the only time that my degree and my career have fully intersected, and it really was a lovely moment!
I've always had a bazillion songs in my archive, but I want to play people stuff they know. Now that I have two albums' worth of material, that gives me freedom to compose a set that's more well-balanced and build a show rather than just a recital of some songs.
Through our science we have created magnificent spacecrafts and telescopes to explore the night and the light and the half light. We have made visible things that are invisible to the unaided eye. We have brought the dreamy heavens down to Earth, held them in the mind's eye. Our explorations have produced a vast archive of remarkable astronomical images... The riches are too many for choices, the revelations beautiful and dreadful. Who can look at these images and not be transformed? The heavens declare God's glory.
Some survived due to advancements in engineering. Personally I'd take a vaccine over living in an iron lung. http://www.theatlantic.com/national/archive/2012/01/what-america-looked-like-polio-children-paralyzed-in-iron-lungs/251098/
I've making videos since I was seventeen I was originally discollecting vintage hmmm... footages from different archives and setting moving pictures to classical music clips that meant a lot to me. Maybe there were places I have been where nice things have happened. I had a vision of making my life a work of art and I was looking for people who also felt that way.
We may observe in some of the abrupt grounds we meet with, sections of great masses of strata, where it is as easy to read the history of the sea, as it is to read the history of Man in the archives of any nation.
Patriotic feelings will surely swell, prompting proud proclamations of the wisdom, foresight, and sense of justice shared by the Framers and reflected in a written document now yellowed with age . . . [F]or many Americans the bicentennial celebration will be little more than a blind pilgrimage to the shrine of the original document now stored in a vault in the National Archives. [Progressive]
He had undoubtedly not availed himself of the ministry archives, archives that might have revealed to him that Iranian diplomats in Paris, from this, his own Foreign Ministry, had taken it upon themselves to issue Iranian passports to Jews escaping the very Holocaust they were aware of, but that he now denied.
Certainly, for a newspaper director, to have within arm's reach a Travaglio, about whom every starring actor, supporting cast and extra of Italian political life he is ready upon cold request to provide an inquiry brief refined in the most minute details is a nice comfort. But also a bit unsettling. The day I asked him if in that archive, into which no one is allowed to stick their nose, there were a brief with my name on it, Marco changed the subject.
I mean, these are really dedicated people [in Lovecraft Society] when it comes to [h.P.] Lovecraft. But in the top floor of the John Hay Library, you have all of Lovecraft's archives. And messing around in there, I noticed, I said, what are these paintings? And the librarian told me, "Well, those are Pickman's paintings." I said, "I thought this was like something he made up, like The Necronomicon, that kind of stuff." And he said no, that the guy actually existed.
I think in most companies you're surrounded by the past. You may have a Web site or archives or a lobby that sort of shows off your work of the past. The future is not as tangible.
I work at a record label where I have archives. These things [memorabilia] occurred and are important to somebody, and they're important to me. I find the record industry largely repellent. This music, the Teen Idles, all of that stuff, is important to me. I don't have lawyers, an agent or a manager. However I find the music industry largely repellent. I just make records because that's what I love to do. So I think that era, those pieces of media, I keep in my collection.
I can't predict how reading habits will change. But I will say that the greatest loss is the paper archive - no more a great stack of manuscripts, letters, and notebooks from a writer's life, but only a tiny pile of disks, little plastic cookies where once were calligraphic marvels.
I watched tons of archive footage of princess Margaret and listened to the music she loved; that was really immersive and brilliant.
I watched her do speeches, but the only footage we could find of [princess] Margaret was archive footage, which was of her public presentation of herself.
There were over 40,000 pages of FBI documents of which only about half are currently available to scholars and researchers. I think that this 40th anniversary of the assassination is a good opportunity for us to say that now is the time to declassify all FBI material on Malcolm X. There really is a need for us to challenge the US government for its refusal to open up its own archives 40 years after the death of Malcolm.
In the case of Alex Haley, Haley's material is located at the University of Tennessee at Knoxville, primarily. But there are a whole series of elaborate steps that one has to - has to encounter in order to even begin to do research. There's an attorney. If you want to photocopy material from that archive, you have to get permission from the attorney beforehand.
Let me put it in a positive light, with that archive [of Anne Romaine], we have gained extensive knowledge about how [Alex] Haley and Malcolm X actually worked and how the book, the autobiography, was constructed.
Anne Romaine collected her own parallel archive to [Alex] Haley.
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