I'm drawn to furniture design as complete architecture on a minor scale.
I choose a block of marble and chop off whatever I don't need.
The very essence of the creative is its novelty, and hence we have no standard by which to judge it.
I don't want to be interesting. I want to be good.
Beauty in art is often nothing but ugliness subdued.
It is impossible, as impossible as to raise the dead, to restore anything that has ever been great or beautiful in architecture. That which I have insisted upon as the life of the whole, that spirit which is given only by the hand and eye of the workman, can never be recalled.
People who build their own home tend to be very courageous. These people are curious about life. They're thinking about what it means to live in a house, rather than just buying a commodity and making it work.
Very often the opinion of the clients must be disregarded in their own interest.
The greatest architectural illusion is not Baroque fancy or Victorian flamboyant, but minimalism.
Architects spend an entire life with this unreasonable idea that you can fight against gravity.
There are 360 degrees, so why stick to one?
The sun never knew how great it was until it hit the side of a building.
Architects today tend to depreciate themselves, to regard themselves as no more than just ordinary citizens without the power to reform the future.
Chicago is known for good steaks, expensive stores and beautiful architecture. Unfortunately, the Windy City also enjoys a reputation for corrupt politics, violent crime, and some of the strictest gun control laws anywhere in the country.
And when an architect has designed a house with large windows, which is a necessity today in order to pull the daylight into these very deep houses, then curtains come to play a big role in architecture.
Painting, sculpture and architecture are finished, but the art habit continues.
A bold architectural statement turns a public building into a landmark, but it is in the details where the architect becomes the real storyteller.
The future of architecture is culture.
Chandeliers are marvels of drop-dead showiness, the jewellery of architecture.
When the old way of seeing was displaced, a hollowness came into architecture. Our buildings show a constant effort to fill that void, to recapture that sense of life which was once to be found in any house or shed. Yet the sense of place is not to be recovered through any attitude, device, or style, but through the principles of pattern, spirit, and context.
The difference between good and bad architecture is the time you spend on it.
My ambition has always been to reduce a building's support to a minimum. The more we diminish supporting structures, the more audacious and important the architecture is. That has been my life's work.
I really like the city of Vienna. I like its art, its music and its architecture. In short, I like the culture that Vienna represents. What really captures me is the period around 1900 - the time of Freud, Schnitzler and Klimt. This is the period in which the modern view of mind was born.
Beauty isn't what I'm primarily interested in [in architecture]. I think appropriateness is more important.
The beauty of my profession [architecture] lies in its randomness and surprise. And don't think I can choose my projects. I have to build what's offered to me.
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