I don't think that architecture is only about shelter, is only about a very simple enclosure. It should be able to excite you, to calm you, to make you think.
Architecture is like writing. You have to edit it over and over so it looks effortless
There are 360 degrees, so why stick to one?
I'm trying to discover - invent, I suppose - an architecture, and forms of urban planning, that do something of the same thing in a contemporary way. I started out trying to create buildings that would sparkle like isolated jewels; now I want them to connect, to form a new kind of landscape, to flow together with contemporary cities and the lives of their peoples.
Architecture is really about well-being. I think that people want to feel good in a space... On the one hand it's about shelter, but it's also about pleasure. The intention is to really carve out of a city civic spaces and the more it is accessible to a much larger mass in public and it's about people enjoying that space. That makes life that much better. If you think about housing, education, whether schools and hospitals, these are all very interesting projects because in the way you interpret this special experience.
Architecture is really about well-being. I think that people want to feel good in a space ... On the one hand it's about shelter, but it's also about pleasure.
As a woman, I'm expected to want everything to be nice and to be nice myself. A very English thing. I don't design nice buildings - I don't like them. I like architecture to have some raw, vital, earthy quality.
Architecture is how the person places herself in the space. Fashion is about how you place the object on the person.
Of course I believe imaginative architecture can make a difference to people's lives, but I wish it was possible to divert some of the effort we put into ambitious museums and galleries into the basic architectural building blocks of society.
It's not my duty as an architect to look at it.
The current state of architecture and design requires extensive collaboration and an investigative attitude and we continue to research and develop new technologies.
There are some very similar moments in the early work where the focus was on drawing, abstraction and fragmentation. Then it moved to the development of ideas. Lately it has become what architecture should be, which is more fluid organization. There has not been so much 'a change' but 'a development'.
For a woman to go out alone into architecture is still very, very hard. It's still a man's world.
With products the form is almost the finished piece, but with architecture it is not.
Architecture is unnecessarily difficult. It's very tough.
It is insufficient for architecture today to directly implement an existing building typology; it instead requires architects to carefully examine the whole area with new interventions and programmatic typologies
The paintings have only ever been ways of exploring architecture. I don't see them as art.
I've always been interested in combining architecture with a social agenda, and I really think you can invest and be inventive with hospitals and housing.
Half of architecture students are women, and you see respected, established female architects all the time.
The conservative values that are emerging, it may not effect architecture immediately but it will effect society and that's what worries me.
I really love Miami, but I don't think the architecture matches the city. It's a bit too commercial.
Architecture is particularly difficult for women; there's no reason for it to be. I don't want to blame men or society, but I think it was for a long time, the clients were men, the building industry is all male.
My earliest memory of architecture, I was perhaps 6 or 7 years old, was of my aunt building a house in mosul in the north of iraq. The architect was a close friend of my father's and he used to come to our house with the drawings and models. I remember seeing the model in our living room and I think it triggered something, as I was completely intrigued by it.
I think about architecture all the time. That's the problem. But I've always been like that. I dream it sometimes.
From my first days studying architecture at the architectural association, I have always been interested in the concept of fragmentation and with ideas of abstraction and explosion, where we were de-constructing ideas of repetitiveness and mass production.
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