I like ruins because what remains is not the total design, but the clarity of thought, the naked structure, the spirit of the thing.
Home is where you hang your architect.
As an architect you design for the present, with an awareness of the past, for a future which is essentially unknown.
There is a danger when every building has to look spectacular; to look like it is changing the world. I don't care how a building looks if it means something, not to architects, but to the people who use it.
The room is there for the human being - not the human being for the room.
In the face of the economic plight, it is our task to become pioneers of simplicity, that is, to find a simple form for all of life's necessities, which is at the same time respectable and genuine.
The genius of architecture seems to have shed its maledictions over this land.
You can't make an architect. But you can open the doors and windows toward the light as you see it.
One of my favorite vacation places is Miami, because of the people, the water and the beach - of course - and the architecture on Miami Beach is so wonderful.
The process I go through in the art and the architecture, I actually want it to be almost childlike. Sometimes I think it's magical.
When I work, and in my art, I hold hands with God.
Old houses mended, Cost little less than new before they're ended.
Always design a thing by considering it in its next larger context - a chair in a room, a room in a house, a house in an environment, an environment in a city plan.
A box is more a coffin for the human spirit than an inspiration.
When most objects are truly functional, this technological age, which is just beginning, will be truly civilised. When all objects in this country are truly functional, Australia will be as beautiful in its own way as classical Greece.
The Australian backyard was once built for tradesmen and outdoor toilets. As suburbs spread, it became a playground and source of pride.
Backyards are as Australian as the Hills Hoists they host, and as individual as those who work and play in them. Whether haven, pantry or playground, they all tell a story.
There is a lot of interest in the arts, music, theatre, filmmaking, engineering, architecture and software design. I think we have now transitioned the modern-day version of the entrepreneur into the creative economy.
A novel is a piece of architecture. It's not random wallowings or confessional diaries. It's a building-it has to have walls and floors and the bathrooms have to work.
The fundamental belief in the authenticity of photographs explains why photographs of people no longer living and of vanished architecture are so melancholy.
Timothy O'Sullivan was, it seems to me, the greatest of the photographers because he understood nature first as architecture.
I would like my architecture to inspire people to use their own resources, to move into the future.
The architecture we remember is that which never consoles or comforts us.
To me the drawn language is a very revealing language: one can see in a few lines whether a man is really an architect.
I am trying to counter the fixity of architectures, their stolidity, with elements that give an ineffable immaterial quality.
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