I'm not Pollyanna - I know that my personality and my opinions and how I approach the teaching of writing maybe isn't exactly how it's done traditionally in the academy...wherever that academy is...but, you know, the academy is broken as it relates to many creative writing programs.
With the Holocaust - I wonder if a lot of Jewish writers of my generation have felt this way - it feels really intimidating to approach it. I feel like so many writers who have either lived through it firsthand or were part of that generation where they were closer to the people who were in it have written so beautifully about it, so there's no lack of great books about it
It really made me nervous to write about it [Holocaust] and to approach it, because I was nervous about how to do it respectfully, and I was also thinking about how I could add something new to something that had already been so explored.
Well, I'm drawn to stuff that is darker. I will probably do a version of Jane Austen at some point because her books are really well known. Unfortunately they've been parodied to death, but they're so well known that I feel like I should approach it and I think I have an idea that will definitely spin it in a different way. There's melancholy and sadness around the edges. I haven't read all of her books, but it seems they often have... essentially happy endings?
Sometimes you feel some artists are doing the same thing that you're doing but in a different field. But they have the same approach. Their method of research and gathering data is the same as yours.
My parents, though very loving, were not what one would ever describe as outgoing and therefore when I was young I was quite shy and socially awkward. Having a camera changed all that. It gave me an excuse to go anywhere and approach anybody.
When I started doing television, I thought that I would change the way that I shot, the way that I blocked, and the technical side of it. You're not going to change your relationship with the actors or how you approach the characters. That wasn't any different.
One thing that is very different technically is that you don't get a lot of coverage in television. Not like you do on a film. I know we don't have time for separate set-ups, so I will design a scene where I'm hiding multiple cameras within that set-up. That way, if I don't have time to do five set-ups, I can do four cameras in one set-up. It's a different kind of approach for that. For the most part, a lot of television, in a visual sense, lacks time for the atmosphere and putting you in a place.
I think I approach all of my writing in the same way. I mean, it's my job, and I'm committed to it. I don't just float around and wait for some muse to call.
My approach to writing and recording now is pretty much the same as when I started. Except now I worry even less about what people will think of what I made. And I am not drunk.
When I approach a person, I feel a certain way. If I don't feel that way, I'm not going to approach that individual. "I see something in you" - I want the person to know that.
Another obligation that I have as a teacher is to make available to students a range of options and devices and approaches, rather than saying "well here's one way to do it and that's the only way that's good."
I have a really analytical approach to art. And the whole idea that you can't analyze what makes a joke funny...I do not agree with that at all.
By trying to give an artistic approach through my book I stepped unwillingly into other fields. Like a dentist being asked about a throat ache on a much more relevant scale, I was caught in trying to explain what was unexplainable for me. In the end, trying to explain why it was unexplainable finally led to a huge general insecurity in dealing with the subject at all.
It is a bit more challenging for the simple fact that now the stories I am writing are relying more on my imagination than on facts, more on research than on memory; so it is basically a slower writing process, more reading, more exploring. On the other hand, this approach is a little bit relieving too, since many times while writing [How the Soldieer Repairs the Gramophone] I felt too close and equal to my character.
But music doesn't sum up my approach to literature - even in Vain Art of the Fugue. To 'fugue' I had to invent 'trap-words,' or words that would force the narrator to turn around and start his path anew.
Someone wrote to me asking me to illustrate a missed connection that "hasn't happened yet." This guy has seen the same girl waiting at a bus stop on his morning commute for weeks, and has been trying to find a way to approach her. He thought it would be fun to put up a Missed Connections poster [of my painting] on the corner where she waits and see what happens. It is kind of an intriguing idea but there's something a bit too manipulative about it for my liking. It's a fine line between being creative and stalking!
I visited the Museum of Modern Art and viewed the exhibition of Picasso's sculptures, and I couldn't help but think about what it would be like to have a room full of school children explore Picasso's approach to making art.
I didn't invent hot water. But when I approach menswear, I do it in a very honest way. And my menswear and womenswear are very similar, in the sense that I put men in leggings and lace shirts.
Hollywood is definitely now embracing a more natural approach to beauty. Staying "youthful-looking" is old news. The ubiquitous term "anti-aging" has become meaningless. Women today want to look like a more revitalized version of themselves. The bottom line is we all want to be natural. I am seeing an increasing number of people who want to match the products they use every day to a more natural, healthy lifestyle.
I think there is a scientific approach to it and there is a political approach to it and an economical approach to it. All of this combined, we might find a solution.
There's politics. When you talk about Asia - no one really wants to approach that full-force because it's very thin ice. No one wants to harm the relations with Asia, where most of those products are going to and being exported to. Many of the local institutions and politicians and veterinarians are involved in illegal trade. To crack that down, it's a big crime and big names to reveal.
I have a tendency to do the epic kind of long shot and put in everything that you need to know. And that's by design; that's the kind of approach I take to it.
Yoga is an integral part of my daily routine. That definitely helps me approach all aspects of my life from a place of mindfulness and clarity, through the meditation that usually accompanies this practice.
Cancer vaccines are in the future. And they could be very effective. Checkpoint blockade, which is acting your immune system to recognize those cancer cells and kill them is another very promising approach and there have been some checkpoint blockade drugs out in the market now that will release the brake on T lymphocytes, the T lymphocyte is your major killer of tumor cells.
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