The moment I do any puppy dog acting, I think the joke is dead. It's in the truth of how I play it, and the real painful honesty that I approach my performance with.
There are a lot of actors who are doing dream work where they focus on a role and try to bring it into their dreams. I haven't done that work, but I've always found that when I'm studying for a role, the work I'm doing somehow manages to enter my dreams, no matter what approach I take.
I always loved music, but it's not something I thought I was gonna approach on a professional level.
As I said in my State of the Union address ensuring the security of the United States and the safety of our people demands a smart, patient and disciplined approach to the world.
The companies that provide debt, what do you think their goal is? Is their goal for you to fully understand the cost of your debt? No. So they're basically creating these approaches to make you feel like it is incredibly cheap or just to think about the cost per day rather the cost per year or cost for a lifetime. So debt is very simple mistake.
In junior high I read a lot of Stephen King, whose Americana approach to writing was often about "the terror next door" and at the same time I was reading a lot of Clive Barker, who was on the other end of the horror pendulum: insidious and disturbingly psychological. I found it fascinating how these two authors came at horror from two totally different perspectives.
I love hip-hop. I'm big into Jay-Z, Kanye, Little Wayne. Those are everyone's favorites, I know. I just like the fact that when they get on track and talk about whatever they're talking about, they have supreme confidence. That's pretty much what you need to have on the field. I like the way they approach their music, they feel like no one can touch them.
I wanted to create an environment in which more than just personal essays could be represented, and in which stranger approaches to making essays could be celebrated.
Of course it's possible for political essays to be artful. I just want to call into question the dominance of content over form in the history of the essay. I want us to recognize that there's art involved in making this stuff, because we still don't approach the constructed nature of the essay with the same appreciation that we do poetry or fiction.
I have to say that I approach every project with the same energy. I also think that, since I started producing, I see the process from a different perspective, which affects the way I jump on board immediately.
I approach mastering a little differently than some of my peers: I spend a lot of time creating a dialogue with the artist and the producers and mixers to try and get what they really are looking for.
Goal setting is fine if you want to be the warrior archetype. These people are setting goals constantly and trying to get someplace else. They say, "If you don't know where you are going, then you won't know when you get there." When you get to a higher level of consciousness, though, when you get into a spiritual approach to life, you are not trying to get someplace else, because you never can get it done. You never are going to get there. Instead, what you want to do is get to a place where you are at peace. You are connected to God.
I know from my own experience that you've got to be ready on day one. There is just too much unpredictable threat and danger in the world today to try to just say wait, I'll get to that when I can. That is just not an acceptable approach.
I think I'm known as an adventuress. Even generally in life, I have no fear. It's not that I'm not afraid of things, but when I am afraid of something, I don't back away - I approach it and try to understand what makes me afraid.
3D is not a fire and forget tool. It takes a lot of very careful consideration and it will change your approach to where you put the camera so 3D isn't for everybody.
I mean, I think everybody should probably approach a film that it's another unwanted thing. That's going to be seared onto my brain for the rest of my life. Thank you for that.
10 years ago [in 2006], nearly 90 percent of those albums sold enough in that year to reach Gold status. 10 years later, about 30 percent were eligible. With the new rules, we figure about 40 percent of the top 200 best-sellers for the year will be eligible. We were very cautious in our approach to changing how we calculate what is eligible because the integrity of the process is our foremost consideration. It's difficult to get certified sales awards, and it's a big deal and we didn't want there to be a huge change in how many would be eligible.
I tried to get the word out to people who are information hubs in their communities, because they could propagate the call quickly. One challenge is that breaking science fiction means, well, breaking science fiction. Many communities of colour have a different approach to narratives of science.
I think he [Heidegger] sets the question up in a useful way and, despite appearances, he's not 'against' technology. He just wants us to have a questioning and thoughtful relation to it. This must be relevant to any approach.
At a theoretical level, I think a naturalist approach to religion is just asking questions I'm not interested in. They're perfectly legitimate in their own terms, but they don't address the actual experience of how one or other aspect of religion becomes existentially meaningful to us in our actual lives. The fact that we ourselves are the subject of investigation makes all the difference.
But, inevitably, as he [Kierkegaard] approaches what we might call his Christocentric climax many readers drop off. Many scholars just leave that part of his authorship alone.
Sartre is one example of someone who does just this. Every text is, after all, a human document and whatever Kierkegaard thought about God was clearly a matter of human thought that can, in principle, be retrieved and interpreted by other human beings. A phenomenological approach to religion must, it seems to me, adopt the old adage: nothing human is alien to me.
Barth's approach tears up any possibility of dialogue between faith and unfaith or between theology and other human sciences. Theology just says what it says on the basis of scripture, and that's that.
Since then, my approach to all things spiritual is rather cynical you could say. When somebody present something to me as spiritual, my first instinct is to be cynical and think, "oh yeah, one of those again." You see so much of it see in "spiritual culture" and people get very excited about it. It's all very "hoo haw."
I guess that all figures into my approach because once I start hearing the imagination land stuff (that's my new phrase now I guess) I tend to tune out or start laughing at it like, "Haha, you guys really believe there is a heaven."
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