I don't approach my acting as just saying a few lines and then going off-screen. It's a craft. I really invest in trying to make it a craft.
Somehow the revolutionaries must approach the workers because the workers won't approach them. But it's difficult to know where to start; we've all got a finger in the dam. The problem for me is that as I have become more real, I've grown away from most working-class people.
As an actor, you really want to resonate with your audience. I played a character on Oz and people still approach me in the streets today.
I'm not an actor who approaches films doing a lot of research. I do zero research, unless it's a film where I'm playing a mock version of someone who already existed. Then, you've got to do a lot of research.
So many times, you get a script and it says, "And then, the character cries," and you read the lines and think, "That would never make me cry. Those lines are so untruthful." My approach is just to be honest to the situation.
Approaches to death and dying reveal much of the attitude of society as a whole to the individuals who compose it. The development of ideas of what constitutes a good death can even be traced to prehistory.
The capacity to see the big picture is perhaps the most important as an antidote to the variety of psychic woes brought forth by the remarkable prosperity and plentitude of our times. Many of us are crunched for time, deluged by information, and paralyzed by the weight of too many choices. The best prescription for these modern maladies may be to approach one's own life in a contextual, big picture fashion - to distinguish between what really matters and what merely annoys.
I don't like to approach people that much. There's been times when I wanted to say something to somebody, in a quick moment, but didn't. Then you think, man, who knows?
Too many people believe that one big, public success will solve their self-confidence problems forever. That only happens in the movies. In real life, the opposite strategy is what works. Call it the small victo-ries approach. In time you will discover that all failing really does teach you something you needed to know- so you can regroup and stretch again, with ever more...nerve.
I made a more mature approach to industrial music.
The nuclear approach I'm involved in is called a traveling-wave reactor, which uses waste uranium for fuel. There's a lot of things that have to go right for that dream to come true - many decades of building demo plants, proving the economics are right. But if it does, you could have cheaper energy with no CO2 emissions.
Actually, when I'm not filming a movie, my beauty approach is really natural - I prefer a bare face that looks really healthy and dewy.
Everything that is truly worthwhile - I think passion is involved in your approach to it. No matter what it is.
In recent years... forces have developed in our government over which we have no control, and these forces have an authoritarian approach to justice - meaning, they tell you what justice is.
An actor is supposed to emulate life. Instead, alas, many are imitating other actors. You don't fashion your knowledge of theatre or your approach to a role on the basis of what other actors have done. This kind of thinking is a great danger, especially in dealing with TV producers who frequently say things like, 'This is a Sean Connery type.'
As we approach the millennium with sort of the idea that society is going to start spiraling into chaos, I'd love to be making jokes about that. Who wants to miss out on that? If the world is going to end, I want to be there the night before, goofing off.
If a subject has a delicate surface to it, you do not want to go charging in there. You need to establish some kind of presence and understanding. I will say, Try to forget I'm here. I won't ask you to pose, I won't ask you to do anything. It's important that I just be allowed to be around, to be present. Photographing people requires a willingness to be rejected. So, I think the best approach is to be honest and direct. Very often, I tell them, You don't know me. There's no reason why you should trust me... the only thing I can promise is that I'll try to do the most honest work I can.
Margaret Thatcher drove us like there was no tomorrow. But I think there is a genuine feeling now that this macho, workaholic, earn lots of money way of life has run its course. There has been a shift in attitude. People are looking for a more balanced approach.
Nobody else even approaches the trumpet like [Sweets Edison] does: Never too much and always plenty. He's the greatest trumpet player to play along with singers. He exactly knows how to play with you, how to answer you about what you just sang ... On top of that, he has some great sense of humor, both as a musician and as a man. Every time I see him, I'm laughing so much. Sweets is impeccable and incomparable.
Find ways to decentralize. Move decision making authority down and out. Encourage a more entrepreneurial approach.
I was frequently embarrassed by the way Margaret conducted herself within the European Community. Her tactics were counter-productive and damaging to the UK's interests. On most issues her approach was foolish. Her style and tone of voice came to irk the others so much that they instinctively sank their differences and joined forces against her.
We need a new approach to national security - a bold, progressive internationalism that stands in stark contrast to the too often belligerent and myopic unilateralism of the Bush Administration.
Whereas I want everything to be peaceful during a birth, I take the total opposite approach when I'm helping someone come to terms with leaving this place - I play Richard Pryor records.
Some land surveyors delve into land development advocacy, working with local government on behalf of clients in order to facilitate progress on a project. Others stick to strictly surveying. The approach depends on the individual firm and the needs of the local area.
Each film has its processes. It doesn't mean that all animated films have to be like "Boy and the World," but creators have to have total freedom. There are films that are born with the purpose to sell. They are still admirable films with great artists and great visuals, but we wanted to use a more radical approach to create art. That's what we tried to do.
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