When you approach someone as a human being, truly and try to be as open as safety allows, some of the bigger reenactments with a whole army of paramilitary people participating, I couldn't say my feelings openly in front of everybody, without it being dangerous for my crew.
I try not to think retrospectively. It's important, as an artist, to look forward, always. I do try to take work that involves some challenge. If you approach a piece of work and you're going, "Yeah, yeah, I can do that," then that's kind of a red flag.
The day you shoot something, everything changes. You still have the same overall vision and approach. You create a world that you're going to be true to or the film tells you what you're going to do. And so, it's like you've got a philosophy of what you're doing. You try and have that changing texturally over the movie.
Anytime you get a group of people, they're going to have different ideas and they're going to want to approach situations in different ways.
Fashion, art, and architecture are all so tightly connected; I think the way to approach referencing these art works is by capturing the essence.
I do think there is a completely different notion to glamour today. I think modern glamour is more effortless, easy, and real. Moreover, I think it's about constantly challenging classical ideas by bringing in unexpected and different elements; for example a long, elegant evening skirt paired with a simple t-shirt on the red carpet. I think this approach is the future.
I like embracing kind of normal forms but am always trying to approach them as if no one's ever done that before. As if I'm literally the first person to ever write a book.
To spend any time with someone who is among the top five film composers of the last 50 years is pure gold dust. I mean, not necessarily stylistically, because everyone is different in what their music sounds like, but the approach and how to look at a film, how to think about a film, how to decide what you want to do, how to think about characters, how to think about art, how to think about narrative, how to liaise with producers, how to liaise with directors.
I think that being an artist is more an approach to life than an approach to work.
Hillary [Clinton] has a really broad approach to engaging people around policy precisely because she understands that there are so many different dimensions to each issue.
I had an approach where everything that's happening it should be as though it's an experience for somebody. So if you're experiencing a hurricane, if you're experiencing a car crash or whatever it is, you're only experiencing as yourself, you're not experiencing it from some objective point of view.
I definitely have a Luddite's approach to what's going on. I find that as I get older, I get stupider. For me, the iPhone is harder than reading Faust. I've been hanging out a bit with Lou Reed, and he's the complete opposite. He's into technology and is kind of like a toddler, compared to me, who's like an old 19th-century widow or something.
I approach every single thing I do as a fan. It's the only way I can do things. That way, I never let myself down.
I don't have a Jersey dialect. So when I approached the singing, I approached it the same way as an actor I approach a dialect, just as a singer.
I approach the singing kind of like with dialect thoughts in my mind. I have to sound like this on certain things to give that Frankie Valli flavor.
I'm in a business where there's complete anarchy. You can't control it - you can only react to it. The control that people traditionally had over their message is gone. Look at Wikileaks: you have to approach everything you write on the basis it's going to be on the front page of the newspaper.
In the Catholic Worker we must try to have the voluntary poverty of St. Francis, the charity of St. Vincent de Paul, the intellectual approach of St. Dominic, the easy conversations about things that matter of St. Philip Neri, the manual labor of St. Benedict.
Frame is a good enough piece of software that there are actually rewards to taking an intelligent and formal approach to your problem. But if you want to be stupid, you can think of Frame as a version of Microsoft Word with most of the bugs taken out.
A lot of college graduates approach me about becoming screenwriters. I tell them, 'Do not become a screenwriter, become a journalist,' because journalists go into worlds that are not their own. Kids who go to Hollywood write coming-of-age stories for their first scripts, about what happened to them when they were sixteen. Then they write the summer camp script. At the age of twenty-three they haven't produced anything, and that's the end of the career.
For decades, free nations tolerated oppression in the Middle East for the sake of stability. In practice, this approach brought little stability and much oppression, so I have changed this policy.
Only those who leisurely approach that which the masses are busy about can be busy about that which the masses take leisurely.
The art of the indirect approach can only be mastered, and its full scope appreciated, by study of and reflection upon the whole history of war. But we can at least crystallize the lessons into two simple maxims- one negative, the other positive. The first is that, in face of the overwhelming evidence of history, no general is justified in launching his troops to a direct attack upon an enemy firmly in position. The second, that instead of seeking to upset the enemy's equilibrium by one's attack, it must be upset before a real attack is, or can be successfully launched
Although you feel tepid, approach with confidence, for the greater your infirmity the more you stand in need of a physician.
The Bible teaches that faith is the only approach that we have to God. No man has sins forgiven, no man goes to heaven, no man has assurance of peace and happiness, until he has faith in Jesus Christ.
I have long believed these types of collaborative agreements are a far better approach to federal land management than the contentious battles that too often sidetrack proper resource management.
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