The whole thing that drew me to doing an animated film is that you're freed from the physical limitations of your physical body. All of a sudden, you get to be something that has nothing to do with the fact that I'm a 6'4", lumbering dude, and that is really exciting.
The music is an important and crucial part to an animated film. You don't think about it, but you can watch Tom and Jerry with no words, for hours, and the music dictates the emotion and where the story is going and how you're supposed to feel. Everything is in the music.
[Before introducing the nominees for best animated film] If you're at the awards party with the guys who made the Lego Movie, now would be a good time to distract them.
I do think that animated films have the ability to touch you someplace. There is something about live action movies that is different because we know the characters are real people, so they always stay flawed for us somehow. But animated films touch us in a very clear, uncomplicated place. They have that ability. And an animated character can make an expression in a way humans can't do.
I think I might do an animated film next. I'm serious.
Joanna Priestley’s amazing body of animated films have deservedly earned their place in the pantheon of contemporary international animators. Inventively visioned, superbly crafted, and rich with insight into the physical and spiritual dilemmas that confront us all, each new work provides an unexpected pleasure.
I've always loved animation and animated films.
'Coraline' is Neil Gaiman's book, it sold a lot, it has a big fan base. It was originally conceived to be live action, but I never really wanted it to be. I always thought that it would work better as an animated film.
I'm more intrigued by things that I haven't really conceived of yet. I have the luxury of being able to think: "I've never done a ballet or an animated film myself." There are certain things that I feel I'd love to. I just want to keep trying new things and seeing if I'm any good at them, and if I'm not, then at least learning that. I definitely think I'm more interested in what medium I can explore right now than any specific story.
I looked at the 1950 animated film [Cinderella], I read a couple of editions of the fairy tale that I have in my house and all of it seemed to say that there was room for a version that delivered, in this story, which seems to invite a feeling in people and I think that is some version of a classical world.
I really like the animated film process. It's kind of like doing a play, because you can experiment with it, rewrite it, screen it, go back, then work on it a little bit more. If the joke doesn't work, you can fix it. It's different from a live action movie.
I love animated films when they are good, because they do bring a lot of emotion and heart that's very difficult to get in a live action film.
I personally just want to do as many different things as I can do, whether it's comedy, drama, science fiction, horror, narrator... You've got a documentary, I've got a voice. Animated films. Big films, small films.
I have some calls out to Tom Cruise, Brad Pitt and Eddie Murphy. I said, 'I won't star in any blockbuster films if you stay out of animated films.' They just won't call me back.
I grew up watching all the great Disney animated films and to be able to carry that torch and know that I'm contributing to the same magic and wonder for a whole new generation is a great thing.
The quality and success of Disney was actually bad for us animators because everyone on the planet thought that animation was only for kids and only in a certain domain. The big film festivals never thought much about animated films.
You can be moved by an animated film and not by a live action film. There could be great inspiration in and humanity in that animated story.
'The Jungle Book.' It's one of the best animated films ever. I saw it when I was small at a cinema in Tehran.
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