Where you stand determines what you see and what you do not see; it determines also the angle you see it from; a change in where you stand changes everything.
I hit the ball early and move my wrist a lot, so I get bigger angles.
The question is, when so many others cut corners, shave the truth, self-deal, believe in the fast buck, and follow the crowd along the low road of least resistance, can we even afford to travel the high road of ethical behavior? Frankly, we can't afford anything else. Any other competitive angle is a pure crapshoot in today's business world. Companies with shaky ethics and shabby standards will be crippled as they try to compete in our changing world.
For values or guiding principles to be truly effective they have to be verbs. It's not "integrity," it's "always do the right thing." It's not "innovation," it's "look at the problem from a different angle." Articulating our values as verbs gives us a clear idea - we have a clear idea of how to act in any situation.
There are many modes of thinking about the world around us and our place in it. I like to consider all the angles from which we might gain perspective on our amazing universe and the nature of existence.
In theory we understand people, but in practice we can't put up with them, I thought, deal with them for the most part reluctantly and always treat them from our point of view. We should observe and treat people not from our point of view but from all angles, I thought, associate with them in such a way that we can say we associate with them so to speak in a completely unbiased way, which however isn't possible, since we actually are always biased against everybody.
You can sometimes get your own feelings across more strongly if you pretend that you're singing it from someone else's angle. But it's always from me. It's just a new way of framing it.
If I had to do a record review, I'd say it's got a cannibal, consumption, obsessive, violent-sex, romance angle, but with an upbeat swing to it.
All cities are geological; you cannot take three steps without encountering ghosts bearing all the prestige of their legends. We move within a closed landscape whose landmarks constantly draw us toward the past. Certain shifting angles, certain receding perspectives, allow us to glimpse original conceptions of space, but this vision remains fragmentary. It must be sought in the magical locales of fairy tales and surrealist writings: castles, endless walls, little forgotten bars, mammoth caverns, casino mirrors.
All birds need to fly are the right-shaped wings, the right pressure and the right angle.
I have worked to free shape from its ground, and then to work the shape so that it has a definite relationship to the space around it; so that it has a clarity and a measure within itself of its parts (angles, curves, edges and mass); and so that, with color and tonality, the shape finds its own space and always demands its freedom and separateness.
For me the first great joy of traveling is simply the luxury of leaving all my beliefs and certainties at home, and seeing everything I thought I knew in a different light, and from a crooked angle.
Girls were coming from every angle. I couldn't love them all. But I tried.
If the angle you're going at is there's some kind of quid pro quo - there isn't. Business is business, and people are allowed to make money. Looks can be deceiving, because there's no quid pro quo here.
I didn't think there was anything more or less obscene about any part of the body. Now, I recognize that there are certain postures and angles that make people see red, which are evidence of original sin or something, and I avoid that.
Everything is grounded in mystery. Everything is swimming, and the stable does not exist. Life is a series of guesses, and there is mystery in a match. The commonplace is the habitual, and the habitual is a mystery that has grown stale from sense-insistence. Life undulates; there is no such thing as a level; a straight line is a myth, and all directions are indirections.
If you can show something as complicated as two people falling in love with just music and camera angles, well, just think about what you can do with football.
Coming to know the hidden and forgotten Mother and the marvelous wisdom of the sacred feminine as revealed from every side and angle by the different mystical traditions is not luxury; it is, I believe, a necessity for our survival as a species.
Good art is art that allows you to enter it from a variety of angles and to emerge with a variety of views.
Our mind is a flowing something. It oscillates. Concentration is merely the continuous return to the same problem from a million angles.... So my problem is this: Can I bring the Lord back in my mind-flow every few seconds so that God shall always be in my mind?
Abby must have been the one who found the safe house, because Townsend didn't like it. "The building across the street is under construction," he snarled as soon as we'd carried our bags inside. "The elevator has key card access, and I've hacked into the surveillance cameras from every system on the block," Abby argued. "We have a three-hundred-sixty-degree visual." "Excellent." Townsend dropped his bag. "Now the circle can see us from every angle." "Don't mind Agent Townsend, girls," Abby told us. "He's a glass-half-empty kind of spy." "Also known as the good kind," he countered. Abby huffed.
As you get older, you have to force yourself to have new dreams. For instance, I've been flying for 37 years, but now teaching others to fly is interesting for me. Sometimes you have to find new angles on life to keep you interested, like sharing successes and inspiring and helping others.
If everyone worked with wide-angle lenses, I'd shoot all my films in 75mm, because I believe very strongly in the possibilities of the 75mm.
There's a lot of thinking when you choreograph something. You're not just choreographing some bodies, arms, legs flying around to look cool. It's a lot more complicated and sophisticated. You also have to deal with the connection of the whole film, so when I choreograph, I think of the movement itself, the camera angles, the characters.
All architecture, classical or not, must have some sense of order, and order is much harder to achieve without the straight lines and right angles that have dominated the building art from time immemorial.
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