Every angle that I looked at was somebody who I admired and was better than me. So it made me very afraid.
The more angles I see, the more confused I get.
I'm very expressive, but I'm also a very private person. It is so hard to be private in the entertainment business. I'm really glad that I was famous and successful at the time I was because it was bad enough then in a profession which tended to eat you up and never give you any free time. But I think that the youngsters today have a really bad time from every angle.
A chair is to have no backside. It should be beautiful from all sides and angles.
Ever since a small boy, I have loved just to look at the mountains, to see them in different lights and from different angles, to feel their rough rock under my fingers and the breath of the winds against my feet... I am in love with the mountains.
If people can see Earth from up here, see it without those borders, see it without any differences in race or religion, they would have a completely different perspective. Because when you see it from that angle, you cannot think of your home or your country. All you can see is one Earth...
If you are not the victim, don't examine it entirely from your point of view because when YOU'RE not the victim, it becomes pretty easy to rationalize and excuse cruelty, injustice, inequality, slavery, and even murder. But when you're the victim, things look a lot differently from that angle.
I deliberately disregarded the right angle and rationalist architecture designed with ruler and square to boldly enter the world of curves and straight lines offered by reinforced concrete... This deliberate protest arose from the environment in which I lived, with its white beaches, its huge mountains, its old baroque churches, and the beautiful suntanned women.
A lot of these angles are really about trying to mimic broadcast sports angles in order to anchor the scene, to sort of normalize it before it becomes abstracted.
Happiness is equilibrium. Shift your weight. Equilibrium is pragmatic. You have to get everything into proportion. You compensate, rebalance yourself so that you maintain your angle to your world. When the world shifts, you shift.
In flying, the probability of survival is inversely proportional to the angle of arrival.
The differing opinions regarding the gospel are often categorized as different variations of the same truth, or coming at the same truth from different angles, or even emphasizing different aspects of the same truth. This fails to recognize that the different 'variations' are often altogether different gospels. The Reformed gospel is completely different from the Roman Catholic gospel; a faith-based gospel is in direct contradiction to a works-based gospel; a truly evangelical gospel stands in contrast to an ultracharismatic gospel.
Every corner in a house, every angle in a room, every inch of secluded space in which we like to hide, or withdraw into ourselves, is a symbol of solitude for the imagination; that is to say, it is the germ of a room, or of a house.
What the newer landscape artists see in a circle of a hundred degrees in Nature they press together unmercifully into an angle of vision of only forty-five degrees. And furthermore, what is in Nature separated by large spaces, is compressed into a cramped space and overfills and oversatiates the eye, creating an unfavorable and disquieting effect on the viewer.
I can't deal with criticism very well. I've already got it from one angle. I don't need it from anything else.
Once a reporter stood in front of a fire as it consumed a house and then he turned to see the homeowners and their little son watching it burn. The reporter, fishing for a human interest angle, said to the boy, "Son, it looks like you don't have a home anymore." The little boy promptly answered, "Oh, yes, we have a home. We just don't have a house to put it in."
Without an observer at a twenty three degree angle to the light being reflected off a cloud of spherical droplets, there is no rainbow. The whole universe is like that. Our spirits stand at a twenty three degree angle to the universe. There is some new thing created at the contact of photon and retina, some space created between rock and mind.
A man is like a bit of Labrador spar, which has no lustre as you turn it in your hand until you come to a particular angle; then it shows deep and beautiful colors. There is no adaptation or universal applicability in men, but each has his special Talent, and the mastery of Successful men consists in adroitly keeping themselves where and when that turn shall be oftenest to be practiced.
Wayne Wang, the director, really helped me become a more mature actress. When I first started filming, I was really over the top. He just helped bring me down and make me real. That was really wonderful, a really wonderful experience. Also, what I learned about filming is it takes forever. I mean, there are so many different angles and shots. I mean, it just takes forever.
Almost all of the stories in The Matchmaker, the Apprentice, and the Football Fan are told in the first person, yet, depending on the angle and distance of the narrator, they exert different effects. The best are those in which the speaker never poses as an objective outsider. (...) Other stories are damaged by the urge to distance the narrator.
Swerve me? The path to my fixed purpose is laid with iron rails, whereon my soul is grooved to run. Over unsounded gorges, through the rifled hearts of mountains, under torrents' beds, unerringly I rush! Naught's an obstacle, naught's an angle to the iron way!
Some of the angles that photographers get on court are not always flattering.
Happiness is largely an attitude of mind, of viewing life from the right angle.
Like many natural beauties, New York is effortlessly photogenic. It has fabulous bones and hardly any bad angles.
What’s really important is storytelling. None of it matters if it doesn’t support the story.
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