Aesthetic Quotes - Page 24

• So long as painting deals with objective nature, it is an impure art, for recognizability precludes the highest aesthetic emotion. All painting, ancient or modern, moves us aesthetically only in so far as it possesses a force over and beyond its aspect.

  Lawren Harris

  Art, Nature, Moving

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• Aesthetic pleasure is not to be taken lightly; it's very important for the spirit and therefore the health.

  Robert Bateman

  Taken, Important, Spirit

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• To respect the cat is the beginning of the aesthetic sense.

  Erasmus Darwin

  Cat, Purring Cats, Cat Love

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• Those dabs of paint and lines become art when form and flow are created out of lower-level perceptual elements. When they combine harmoniously they give rise to perspective, foreground and background, and ultimately to emotion and other aesthetic attributes.

  Daniel Levitin

  Art, Giving, Perspective

  Daniel J. Levitin (2011). “This Is Your Brain On Music: Understanding a Human Obsession”, p.18, Atlantic Books Ltd

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• When one studies the structure of the universe, it becomes clear that the sciences are as aesthetic as the arts, and the arts are as practical as the sciences. Thus, they are different - but the same.

  Edward J. Fraughton

  Art, Different, Study

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• Ballet is ultimately a logical technique; it favors the shortest, most efficient route from one position into another. This factor gives an aesthetic clarity to all motions.

  Anna Paskevska

  Giving, Ballet, Technique

  Anna Paskevska, Chair of the Dance Department Anna Paskevska (2005). “Ballet Beyond Tradition”, p.50, Routledge

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• Making strides in areas unencumbered by hard-won expectation feels effervescent. By switching into child-mode, shuffling the cortex, we remember our innocence, when we knew less. These are the essentials of continued aesthetic discovery.

  Sara Genn

  Children, Discovery, Expectations

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• My aesthetic is derived from my point of view which is one of optimism and hope. The camera became a conduit for my need to create a more beautiful world around me.

  Mike Ruiz

  Beautiful, Views, Optimism

  Source: www.huffingtonpost.com

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• My aesthetic sense was formed at a young age by what surrounded me: the narrow residential spaces of Japan and the mental escapes from those spaces that took the forms of manga and anime.

  Takashi Murakami

  Anime, Japan, Space

  Source: www.esquire.com

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• Even as a child I was fascinated by death, not in a spiritual sense, but in an aesthetic one. A hamster or guinea pig would pass away, and, after burying the body, I'd dig it back up: over and over, until all that remained was a shoddy pelt. It earned me a certain reputation, especially when I moved on to other people's pets. "Igor," they called me. "Wicked, spooky." But I think my interest was actually fairly common, at least among adolescent boys. At that age, death is something that happens only to animals and grandparents, and studying it is like a science project.

  David Sedaris

  Spiritual, Children, Thinking

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• I started to shed the monstrous aesthetic affectation of my youth so as to make room for the monstrous philistine postures of middle age, but it was some years before I was bold enough to decline an invitation to "Hamlet" on the grounds that I knew who won.

  Quentin Crisp

  Years, Age, Rooms

  "The Naked Civil Servant". Book by Quentin Crisp, Chapter 12, 1968.

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• I never view aesthetic ideas as having an existence purely of their own but as a function they have in connection with political or moral values.

  Antoni Tapies

  Views, Ideas, Political

  "Tàpies, Werke auf Papier 1943 - 2003" by Antoni Tapies, Kunsthalle Emden, edited by Achim Sommer, Altana, (p. 24), 2004.

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• The extent of my personal BMX adventures were all [on] dirt tracks. But just the aesthetic of it that early-to-mid-'80s BMX is something that's just part of me.

  Matt Skiba

  Adventure, Bmx, Track

  "Matt Skiba of Alkaline Trio and Blink-182 on staying young through BMX". Interview with David Anthony, music.avclub.com. May 27, 2015.

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• What I affirm is the intuition that where God's presence is no longer a tenable supposition and where His absence is no longer a felt, indeed overwhelming weight, certain dimensions of thought and creativity are no longer attainable. And I would vary Yeats's axiom so as to say: no man can read fully, can answer answeringly to the aesthetic, whose "nerve and blood" are at peace in sceptical rationality, are now at home in immanence and verification. We must read as if.

  George Steiner

  Home, Creativity, Men

  George Steiner (2010). “Real Presences: Is There Anything in What We Say?”, p.264, Faber & Faber

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• The chasm between the beauty and seriousness of the work, and what it has become, has overwhelmed me. The commercialization has reduced the aesthetic and philosophical impact of the creation to nothing. There is only one solution for me: to turn my head away.

  Christopher Tolkien

  Philosophical, Impact, Overwhelmed

  "Why JRR Tolkien's Son Hates What Peter Jackson Has Done" by Devin Faraci, Birth.Movies.Death, birthmoviesdeath.com. January 9, 2013.

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• Journalism has not only its social stimulations but its aesthetic virtues. An invitation into print, from however suspect a source, is an opportunity to make something beautiful, to discover within oneself a treasure that would otherwise have remained buried.

  John Updike

  Beautiful, Opportunity, Treasure

  "More Matter" by John Updike, www.nytimes.com. 1999.

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• Recently, the Germans have developed a tendency to prefer the so-called first (youthful) style of great artists to their mature works. Could it be that they do not realize that their aesthetic criteria, generally speaking, are juvenile?

  Franz Grillparzer

  Art, Style, Immaturity

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• ... it was religion that saved me. Our ugly church and parochial school provided me with my only aesthetic outlet, in the words ofthe Mass and the litanies and the old Latin hymns, in the Easter lilies around the altar, rosaries, ornamented prayer books, votive lamps, holy cards stamped in gold and decorated with flower wreaths and a saint's picture.

  Mary McCarthy

  Easter, Prayer, Latin

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• The analogies between science and art are very good as long as you are talking about the creation and the performance. The creation is certainly very analogous. The aesthetic pleasure of the craftsmanship of performance is also very strong in science.

  Freeman Dyson

  Art, Strong, Talking

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• I hate that aesthetic game of the eye and the mind, played by these connoisseurs, these mandarins who "appreciate" beauty. What is beauty, anyway? There's no such thing. I never "appreciate," any more than I "like." I love it or I hate.

  Pablo Picasso

  Love, Hate, Eye

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• The arts especially address the idea of aesthetic experience. An aesthetic experience is one in which your senses are operating at their peak; when you’re present in the current moment; when you’re resonating with the excitement of this thing that you’re experiencing; when you are fully alive.

  Ken Robinson

  Art, Ideas, Alive

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• For me it's really important that the work here displays an aesthetic of decay along with the sunken boat with the broken ceramic pieces. They form a unity in showing the power of destruction, the beauty of destruction, whether it's from nature - because the boat has sunk - or through other forces. It's really the beauty of decay and death that holds a power here.

  Cai Guo-Qiang

  Broken, Unity, Important

  "Reflection". Art21 Interview, art21.org. 2005.

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• It is not necessary to have an extravagant food budget in order to serve things with variety and tastefully cooked. It is not necessary to have expensive food on the plates before they can enter the dining room as things of beauty in colour and texture. Food should be served with real care as to the colour and texture on the plates, as well as with imaginative taste. This is where artistic talent and aesthetic expression and fulfillment come in.

  Edith Schaeffer

  Real, Expression, Order

  Edith Schaeffer (1972). “Hidden art”

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• We exist because of suburbia. Suburbia is a freak’s dreamworld, a world of extra rooms upstairs and long, lazy afternoons with no interference. A place where you can listen to your LPs for hours on end. You can live in your room, your own rent-free corner of the universe, and create a world of pleasure and interest entirely centered on yourself and your interior aesthetic and logic.

  Dana Spiotta

  Long, Lazy, Afternoon

  Dana Spiotta (2006). “Eat the Document: A Novel”, p.73, Simon and Schuster

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• Everything is complicated; if that were not so, life and poetry and everything else would be a bore.

  Wallace Stevens

  Beauty, Art, Would Be

  Wallace Stevens, Holly Stevens (1966). “Letters of Wallace Stevens”, p.303, Univ of California Press

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