When I got to filmmaking, the most democratic of environments where anybody could say anything, those were the best environments, but what you don't want to assume is that you know what the audience is thinking.
Ninety-eight per cent of actors who actually make a living do so in front of a camera.
If you want a bourgeois existence, you shouldn't be an actor. You're in the wrong profession.
I was a film-directing major at NYU. I'm still not sure why I became a directing major, when I was really an actor and a comedian, but there was something that drew me to doing that.
So often actors only mix with actors, which is quite incestuous, and doesn't give them the insight into how other people work.
I went in the Marines when I was 16. I spent four and a half years in the Marines and then came right to New York to be an actor. And then seven years later, I got my first job.
You go through stages in your career that you feel very good about yourself. Then you feel awful, like, 'Why didn't I choose something else?' But overall I'm pretty satisfied that I made the right choice when I decided to be an actor.
Every actor wants to be everybody - play all the roles.
I suddenly realized that the fellow who didn't show up was getting about fifty-times more money than I was getting. So I thought, 'this is silly,' and became an actor. I certainly never thought I'd wind up in motion pictures. That was far beyond anything I'd ever dreamed of.
An actor should be ready to play any role within reason. For example, I think the most ridiculous thing for me to do would be to try and play Shakespeare.
I wanted to be a doctor when I was young. I also wanted to be a paramedic, but I always wanted to be an actor as well. I didn't have kids or something that I needed to provide for.
What does it mean for an actor to make a part his own? It means that he takes on what you had intended and starts to put in his own stuff so that it becomes something that could only happen if he played it.
An actor is only merchandise.
Acting is not a mystery. There's nothing that I know that other actors don't know. We all act, we're all actors, we all know the same thing. The only thing that separates us is experience.
When you are a character actor they trust you will go in and give them a full character and leave.
When you're a child you're able to assimilate so easily into any situation. You even start talking like the people you're around. I wasn't conscious that I was so good at that until I started to truly feel like an actor.
What I promise to my actors, and to my director, is to give them the salary and everything they need.
Acting is bad acting if the actor himself gets emotional in the act of making the audience cry. The object is to make the audience cry, but not cry yourself. The emotion has to be inside the actor, not outside. If you stand there weeping and wailing, all your emotions will go down your shirt and nothing will go out to your audience. Audience control is really about the actor
Very often there's this misapprehension about actors being people that need to display themselves, to reveal themselves in public.
I'm supposed to be a pretty good theater actor.
As an actor there are no drawbacks.
I like to direct movies, but I don't like to goof around for eight years talking about it.
I like very much to do movies.
I was never a fanatical movie person.
Quite often - a lot of the work I had done had been extensively with women. Most especially in the theater, but also quite often in the movies. That has its own delights, and maybe pitfalls too.
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