Honestly, acting is the most work when you're unemployed. For me, the actual acting part is never hard. It's the politics and basically everything around the acting that is difficult.
I took my first acting class at age 6 because I found out that's what Carol Burnett was doing - acting. Also she had an imaginary friend as a kid and went to UCLA, two things we have in common. I will always admire her and hope one day, I can make someone laugh a fraction as hard as she's made me bellyache.
I love acting so much that I have to have that as much as I have to have my time with my kid.
I never really got on my own case about my own acting. I know a lot of other people have, and probably very justifiably. But I don't worry about stuff like that too much.
I was always a closet lover of acting. My mom was very practical. She never, ever restricted our dreams, always told us we could do or be anything. Then I said, 'Maybe I want to be an actor.' And she said, 'Maybe not that.'
I moved with my mom to Los Angeles for her to pursue her acting career, and she got a job casting atmosphere in some independent films.
Acting is just a job at the end of the day, and its a very strange one.
As a child, I was fascinated by the stories of Dickens acting out everything in front of the mirror as he wrote it down. Later, when you approach his work as an actor, you notice how sayable the dialogue is.
If Im honest, the reason I got into acting is not the reason Im still doing it, and if Im still doing it in ten years time, Im sure Ill find something else.
My tutors at drama school commended and criticised my use of comedy in my acting for a long time at drama school. They said I had a tendency to somehow perform the most tragic of scenes in a slightly flippant way.
I am not one of those actresses who loves acting.
Both my parents were actors. I was schooled to think that acting was an important social service, that it was something that human beings need.
My first acting experience was a non-speaking role as a robot. My costume was a cardboard box covered in tinfoil, but I was so shy I refused to go on stage.
That's what I love about acting. There's never a set role. You can be a firefighter, you can be a baseball player, you can be whatever you want in the acting world. I think I've found my calling.
The point is to explore whatever may be helpful for thinking, understanding, and acting responsibly over long periods of time.
Therefore the good man ought to be a lover of self, since he will then both benefit himself by acting nobly and aid his fellows; but the bad man ought not to be a lover of self, since he will follow his base passions, and so injure both himself and his neighbors. With the bad man therefore, what he does is not in accord with what he ought to do, but the good man does what he ought, since intelligence always chooses for itself that which is best, and the good man obeys his intelligence.
We assume therefore that moral virtue is the quality of acting in the best way in relation to pleasures and pains, and that vice is the opposite.
Virtue also depends on ourselves. And so also does vice. For where we are free to act we are also free to refrain from acting, and where we are able to say No we are also able to say Yes; if therefore we are responsible for doing a thing when to do it right, we are also responsible for not doing it when not to do it is wrong, and if we are responsible for rightly not doing a thing, we are also responsible for wrongly doing it.
I drifted into acting, and I've drifted into my career, and I've never been guided by anything particularly concrete.
The urge to act became the overriding force in my life. It thrilled me. There's a moment with acting when you're in the groove, and you and what you're trying to do are seamlessly one. That happens sometimes, and I'm really happy it can happen to me.
Acting is our job, not talking about it. In France, they know me like I belong to their family. I go somewhere and I feel like Im sometimes the aunt, the grandmother, the mother, the sister. They all know me. But its not supposed to be that way.
I was an amazing bartender and a great waiter. I think, in a way, that was my acting school.
I find acting tough, but sitting around chatting - that's easy.
Would you just strap some toe shoes on and dance 'Swan Lake?' No. Would you just put a violin in your hand and - ? No. I felt that way about acting, and I was taught to feel that way. I didn't come to it on my own.
To separate journalism and poetry, therefore-history and poetry-to set them up at opposite ends of the world of discourse, is to separate seeing from the feel of seeing, emotion from the acting of emotion, knowledge from the realization of knowledge.
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