Constantin Stanislavski Quotes About Acting

Quotes about: Acting

• Never lose yourself on the stage. Always act in your own person, as an artist. The moment you lose yourself on the stage marks the departure from truly living your part and the beginning of exaggerated false acting. Therefore, no matter how much you act, how many parts you take, you should never allow yourself any exception to the rule of using your own feelings. To break that rule is the equivalent of killing the person you are portraying, because you deprive him of a palpitating, living, human soul, which is the real source of life for a part.

  Constantin Stanislavski

  Real, Artist, Exception To The Rule

• Unless the theatre can ennoble you, make you a better person, you should flee from it.

  Constantin Stanislavski

  Theatre, Acting, Actors

  Constantin Stanislavski (2013). “Building A Character”, p.253, Routledge

• Remember: there are no small parts, only small actors.

  Constantin Stanislavski

  Acting, Actors, Remember

• Remember this practical piece of advice: Never come into the theatre with mud on your feet. Leave your dust and dirt outside. Check your little worries, squabbles, petty difficulties with your outside clothing - all the things that ruin your life and draw your attention away from your art - at the door.

  Constantin Stanislavski

  Life, Art, Doors

  Constantin Stanislavski (2013). “Building a Character”, p.215, A&C Black

• In spite of my great admiration for individual splendid talents I do not accept the star system. Collective creative effort is the root of our kind of art. That requires ensemble acting and whoever mars that ensemble is committing a crime not only against his comrades but also against the very art of which he is the servant.

  Constantin Stanislavski

  Art, Stars, Roots

  Constantin Stanislavski (2013). “Building a Character”, p.220, A&C Black

• Stage charm guarantees in advance an actor's hold on the audience, it helps him to carry over to large numbers of people his creative purposes. It enhances his roles and his art. Yet it is of utmost importance that he use this precious gift with prudence, wisdom, and modesty. It is a great shame when he does not realize this and goes on to exploit, to play on his ability to charm.

  Constantin Stanislavski

  Art, Play, Numbers

  Constantin Stanislavski (2013). “Building A Character”, p.272, Routledge

• A true priest is aware of the presence of the altar during every moment that he is conducting a service. It is exactly the same way that a true artist should react to the stage all the time he is in the theater. An actor who is incapable of this feeling will never be a true artist.

  Constantin Stanislavski

  Artist, Feelings, Acting

  Constantin Stanislavski (2013). “Building a Character”, p.216, A&C Black

• The main factor in any form of creativeness is the life of a human spirit, that of the actor and his part, their joint feelings and subconscious creation.

  Constantin Stanislavski

  Feelings, Acting, Actors

  Constantin Stanislavski (2013). “Building A Character”, p.320, Routledge

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