Constantin Stanislavski Quotes About Feelings

Quotes about: Feelings

• Never lose yourself on the stage. Always act in your own person, as an artist. The moment you lose yourself on the stage marks the departure from truly living your part and the beginning of exaggerated false acting. Therefore, no matter how much you act, how many parts you take, you should never allow yourself any exception to the rule of using your own feelings. To break that rule is the equivalent of killing the person you are portraying, because you deprive him of a palpitating, living, human soul, which is the real source of life for a part.

  Constantin Stanislavski

  Real, Artist, Exception To The Rule

• In every physical action, unless it is purely mechanical, there is concealed some inner action, some feelings. This is how the two levels of life in a part are created, the inner and the outer. They are intertwined. A common purpose brings them together and reinforces the unbreakable bond.

  Constantin Stanislavski

  Philosophy, Two, Common Purpose

  Constantin Stanislavski (2013). “Creating a Role”, p.193, A&C Black

• A true priest is aware of the presence of the altar during every moment that he is conducting a service. It is exactly the same way that a true artist should react to the stage all the time he is in the theater. An actor who is incapable of this feeling will never be a true artist.

  Constantin Stanislavski

  Artist, Feelings, Acting

  Constantin Stanislavski (2013). “Building a Character”, p.216, A&C Black

• The main factor in any form of creativeness is the life of a human spirit, that of the actor and his part, their joint feelings and subconscious creation.

  Constantin Stanislavski

  Feelings, Acting, Actors

  Constantin Stanislavski (2013). “Building A Character”, p.320, Routledge

• It is only when an actor feels that his inner and outer life on the stage is flowing naturally and normally, in the circumstances that surround him, that the deeper sources of his subconscious gently open, and from them come feelings we cannot always analyse.

  Constantin Stanislavski

  Feelings, Actors, Source

  Constantin Stanislavski (2013). “An Actor Prepares”, p.13, A&C Black

• The direct effect on our mind is achieved by the words, the text, the thought, which arouse consideration. Our will is directly affected by the super-objective, by other objectives, by a through line of action. Our feelings are directly worked upon by tempo-rhythm.

  Constantin Stanislavski

  Direct Effect, Feelings, Mind

  Constantin Stanislavski (2013). “Building a Character”, p.208, A&C Black

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