If you begin with the middle-tone and work up from it toward the darks so that you deal last with your highest lights and darkest darks, you avoid false accents.
I understand English; I read and write English perfectly, but the accent won't go away.
With support jobs moving to China and India, it's not surprising that English-speaking countries' top frustration revolves around the difficulty of understanding customer service representatives. However, even if the level of customer service is exceptional, the extent to which poorly-understood accents trump quality of service speaks to English-speaking customers' growing intolerance of non-native speech, more so than in other countries.
In the 'Garnethill' trilogy, people always forget that Maureen O'Donnell's dad was a journalist and she did art history at uni and her brother did law, but no-one ever thinks they're middle-class - they're just working class because they speak with accents.
He just rubs people up the wrong way in a short space of time and, after he'd gone, one of the South African coaches there said to me in a thick Bok accent 'You see, Richard, what we have to put up with?'
People say we're all identical, but Jennifer Lopez is an American. She's from New York. She doesn't have an accent. Some of these Latin people - their Spanish is pathetic. They learned it when they became famous as Latinos.
I toned down my accent at school; otherwise, people would pick on me.
The trombone is the true head of the family of wind instruments... it has all the serious and powerful tones of sublime musical poetry, from religious, calm and imposing accents to savage, orgiastic outburst.
I haven't been abroad in so long that I almost speak English without an accent now.
I have an accent, I'm limited, I have to play foreign parts - I would love to play American parts but I can't because I have an accent. You are more limited as a foreigner in every area.
I love London because of the history. The times I've been there have been some of the best memories in my life. Singing there, seeing great theater - and the people like a Southern accent.
I was trying to find ways of not being pigeon-holed like that. I didn't want to be tied down by my accent. I wanted to play Americans. I don't want to ever be doing the same thing twice, and I just didn't want to repeat myself.
It makes it easier, if you can't do an American accent. I don't know. It's different. I played a character in Never Let Me Go where the script for my character was very sparse, and I enjoyed it. With Never Let Me Go, I had a whole book written from my character's point of view, so I always knew where I was. But, with Ryan [Gosling], it was just easy. He's such a brilliant actor and he is so prepared. He doesn't have to warm himself up to be in a scene. He's just in it. It draws you in, in a way.
I was always amazed the way people would come in looking one way and transform completely to the point where I couldn't recognize their language, their accent, the way they looked, their hair, their face even changed becoming so inside of the character.
I learned how to get rid of the Southern accent when I was, like, 11 years old and living in New York for the summer doing modeling and commercials and auditioning for Broadway. The mother I lived with for the summer taught me how to drop my Southern accent.
I'm from the South, and there's a different understanding of how to chop. There's a syllable play. It's a delicate art. Your accent has a lot to do with it. If you're from a certain area, words don't roll of your tongue as slick.
It's not a deliberate thing. It's not like I was rejecting the UK, which is what the papers said. It's just that when you spend a lot of time in your formative years around an accent, you're going to pick it up. I had been living in LA for a bit and that's what happened.
No hot guys should be allowed to have an English accent and drive a motorcycle. Not to mention wear the leather jacket or sport the cool shades. Hot guys should be forced into footie pajamas.
Sometimes I'll go into a shop and speak in a different accent to see if I can pull it off. But then somebody will be like, 'Where did you say you were from again?' And then I panic, and my accent dissolves, and I pretend like I wasn't doing it in the first place.
I love to accent movement. The eye goes to where the white is - you know, the glove. And the feet, if you're dancing, you can put an exclamation point on your movement if it has a bit of light on it. So I wore the white socks. And for the design of the jacket, I would sit with the people who made the clothes and tell them where I wanted a button or a buckle or a design.
I didn't really like my Sydney accent - nobody likes the sound of their own voice - and when I was a little younger tried to change my accent gradually. But I've only ever really lived in Sydney and Los Angeles, so I haven't been influenced by the accents of some far-off land.
The accent today is on results, not on how well you work. You can't build a skyscraper in a day, but you can build a shack.
Do not talk to me of Archimedes' lever. He was an absent-minded person with a mathematical imagination. Mathematics commands my respect, but I have no use for engines. Give me the right word and the right accent and I will move the world.
I have spent too long training myself to speak with an American accent, it's ingrained. I spend 16 hours a day on set speaking with an American accent. Now, when I try to speak with an Aussie accent, I just sound like a caricature of myself.
I was very nervous about the accent. I was very nervous about being an American.
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