In a one-woman show, there must be compelling material that you adore. In both of these there are conversations with you and another character. My Second City (improvisation) background comes in very handy for accent and body posture.
The accent is always critical for me because it informs a lot of the character.
Try and fit in in a New Zealand playground with an Armagh accent - it doesn't work.
My accent's become a weird hybrid.
The thing with being able to do accents is that it's still completely separate from being an actor.
I live in LA so I worry my kids aren't that connected to Britain, I suppose I don't want them to become American kids. We try to get back three or four times a year. When they go to school they speak with a British-American accent but when they come home to us they go back to their British accent, so I can deal with that.
I actually love working with accents. I don't know, something about it unlocks something in me. It makes me concentrate on getting into character a little more, helps me find a focus.
In my normal life, I do not speak with an accent. It's harder for people to realize my hearing loss in everyday life.
I love accents, I would love to find more characters with a variety of vocal intonations. It creates a character. It’s like you're singing a song. Some people find their character through walking or movement — for me, voice is one of the ways I find parts of the character.
I like things where I can do a physical transformation, and I love accents and voices, and I'm never going to play the same character twice.
I've played English a number of times, and used an English accent a number of times, so it becomes a little bit of an obstacle course to go, "Oh, that's teetering into Captain Jack-ville," or "This is teetering into Chocolat or Wonka." You've got to really pay attention to the places you've been. But, that's part of it. That's the great challenge. You may get it wrong. There's a very good possibility that you can fall flat on your face, but that's a healthy thing for an actor.
It can get a bit boring working on accents.
Those English and Scottish know how to do accents.
The duende....Where is the duende? Through the empty archway a wind of the spirit enters, blowing insistently over the heads of the dead, in search of new landscapes and unknown accents: a wind with the odour of a child's saliva, crushed grass, and medusa's veil, announcing the endless baptism of freshly created things.
Accents. I'm very good with accents. I'm exceedingly good.
All I'm saying is we got plenty of Texans, and people from Montana, and New Jersey, and Wyoming, or Kansas City. We got plenty of actors. So we don't need some cat from Cardiff-upon-Rosemary-upon-Thyme, or whatever the hell it is, playing people from Montana. And in the reverse, they got plenty of people from Cardiff-upon-Rosemary-upon-Thyme that they don't need our asses coming over there trying to do British accents.
I always wonder whether I'll get treated differently with a different accent.
At a lecture I am asked to pronounce my name three times. I try to be slow and emphatic, "Anaïs - Anaïs - Anaïs. You just say "Anna" and then add "ees," with the accent on the "ees."
I've heard some duff Irish accents. The worst must be Mickey Rourke.
It`s the only time my education has come in remotely handy. -on using her Russian literature studies for copying her "Van Helsing" script into Russian to acquire a Slavic accent.
I feel like I'm kind of faking something if I'm talking as myself and putting on an accent.
If a great part comes up and the guy's meant to have an Eastern European accent, great; but if it's a bad part I won't take it.
My accent always works with girls. They like it, I have no idea why.
The mind may be reluctant to think properly when thinking is all it is supposed to do; the task can be as paralysing as having to tell a joke or mimic an accent on demand.
I'm more of a mimic. My accent tends to drift to where ever I am.
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