The important thing is to think about theory in life in that way. And I think we don't have to be theorists, we don't have to have gone to the academy, or to the university to learn theory and to be a theorist of gender.
At the Academy Award Dinners all the actors and actresses in Hollywood gather around to see what someone else thinks about their acting besides their press agents.
I mean, people who watch Jon Stewart's show every night don't think he went far enough, because he couldn't do what he does on his show every night, because it's a different job. The same thing with Chris Rock. He can't come out and do a tossed-salad routine, the way he does on his HBO shows, because this is the Academy Awards.
Sylvester wins, obviously [best actor in a supporting role in 2016]. That's the whole point of this. We're all getting dressed up to go to the Oscars to hear Sylvester Stallone, let no one get this twisted. The academy can't pay for a better moment than this: this is the Oscar's original darling.
I'm very surprised at Carol didn't get a best picture. Todd Haynes is an Academy darling, his period pieces are nothing short of brilliant, and they hold up. And I definitely feel like Carol speaks to, even though it's set in the past, it speaks to themes we're dealing with in life right now. It's really really shocking that it didn't get it.
Obviously movies like this [Fast and the Furious 7] don't get any love from the Academy. If they do, it may be special effects or sound editing or something like that.
I started piano lessons at age six but didn't take music seriously until I was a teenager, when I thought about a career in music. I studied classical music, and my instruments were guitar and piano. I played keyboards in bands, and after high school I went to Vienna to study at the Academy of Music. I also became a session player, which culminated in my work with Tangerine Dream.
I think Straight Outta Compton is one of the greatest biopics, but I am biased on that one, obviously. There are some things the Academy gets wrong and it's important to call them on it. But in other instances, there are simply just better actors. They're doing a better job than they've done, but there's still room for improvement.
I'm sorry, to boycott the Academy Awards is a slap in Chris Rock's face. To host is such a prestigious honor. To boycott it is not the issue. I think it does a disservice to all the African Americans that have worked so hard this year that will be attending and looking at this as an opportunity of a lifetime. I think it's a slap in the face. I understand the sentiment, but I don't appreciate the tactic.
In adolescence I started to find out about Robert Wilson because I saw Lou Reed's "Timerocker" at [the Brooklyn Academy of Music]. I started getting into Jim Jarmusch and knew that my uncle was a friend of his. I pieced together parts of his life in high school and college, which lead me to his story in a funny way.
My dad [...] sent me a text saying, 'You know who you should play? Columbo. That's your Academy Award.'
The academy is an incredibly sheltered world, and I do think it's important for writers to get out from under that shelter, at least for a while, to see what the world looks like from outside it.
Few years ago, I said something about the Academy being very white male, which is the reality, and I was slashed to pieces by the media.
We don't even know who's in the Academy.
Almost any fool can paint an academy picture, and any imbecile can shoot off a Kodak.
There's a big difference between the National Book Awards and the Academy Awards. At the Academy Awards you can feel the greed and envy and ego. Whereas the National Book Awards are in New York.
For instance, when "Gender trouble " is translated into Japanese, it produces a problem of vocabulary and a way of thinking about a quality for instance that is somewhat controversial in academic circles and also outside of the academy. In other places, "Gender trouble" is old.
I've never done theater professionally. But I went to the American Academy of Dramatic Arts, so I did some theater there.
I had no idea that such a thing could happen. It never occurred to me.My son told me. He called me and said, "Darling, I just wanted you to know that you have been chosen to receive an honorary Academy Award." I was in the back of this car, and I said, "Oh," and burst into tears, of course, because it was so unexpected and quite wonderful. I thought it's been worth hanging around all these years.
I don't know if I could [do a TV show]. I would if it had nothing to do with the comic. It would be really weird and maybe not feature any of The Umbrella Academy characters.
When I did The Umbrella Academy, I studied Gabriel Bá's art. I said, "Oh, this is what he likes to do here. Maybe I can push him to do a little more of this." You can play to those strengths. It's a different scenario with each artist.
I look at the character of the exhibition and I treat it as I would a painting or an installation. When I did the Summer Exhibition at Royal Academy, I did it exactly as I would when making a new work.
The Royal Academy Summer Exhibition is very difficult to hang because it is so large and the quality is very varied. There are 1,200 works, an almost impossible number, some are interesting and some are not.
I received my training at an art academy, so what I produce is art. That's what is artistic about my photographs.
The Naval Academy is a very prestigious place, and I choose to try it. I got there and darn near didn't pass, just about flunked out the first year, but a commandant by the name of Bush Bringle managed to call me in one day and taught me more about leadership in about 15 minutes than I have learned in the rest of my life. And because of Bush Bringle I regained some faith and confidence in myself, learning I had a little bit more in me than I thought, and I went back to work and finished.
Follow AzQuotes on Facebook, Twitter and Google+. Every day we present the best quotes! Improve yourself, find your inspiration, share with friends
or simply: