I think that no matter whether you're Quentin Tarantino or any other kind of a rebel, or whatever, everyone who makes movies still wants to win an Academy Award, because it's like the Pulitzer Prize or the Congressional Medal Of Honor. It's the best endorsement you could get as a moviemaker.
I don't think I will ever be able to really articulate how bizarre it was to hear my name at the Academy Awards. I'd watched in my pajamas the year before! I felt numb - dazed and confused. I remember feeling light - weightless. More like limbo than cloud nine. At first I was like, This is my statue; nobody gets to touch it. And by midnight I was like, Please, someone, take this statue; it's too heavy! So I gave it to my brother, and he went off with it.
Holding on to some of your uniqueness is the trick instead of surrendering it at the Academy of Contemporary We're Gonna Make You a Star.
As a kid I watched the Academy Awards on television and always wanted one - or several - like one of my favorite directions, John Ford. He won six. On the other hand, Orson Welles, who's on the top of my list, didn't win any. Alfred Hitchcock didn't win any. Howard Hawks didn't win any.
My mother found a way out of a little one-bedroom apartment in Athens, Greece to bring Arianna to Cambridge to study economics and bring me to the Royal Academy in London with very few financial resources and no connections. She didn't know anybody in England, but she found a way. Her love for her daughters and seeing what they could be, motivated her and gave her the chutzpah, the courage, to break down barriers. When you have the motivation of love, you will find the way.
I know how the Academy Awards works: It's a card game, and I'm in the toss-up category.
There was an old brochure for the American Academy of Dramatic Arts with a quote from Robert Redford or someone, that said, "You're only as good as you dare to be bad."
I didn't realise that Ridley Scott has never won an Academy Award.
For a lot of filmmakers, their first goal is to be successful and make some money. But once people start doing that, the real goal is then to win an Academy Award. Because when they do, they know that their obit is going to start out, "Academy Award winner so-and-so."
It was before Deity embodied in a human form walking among men, partaking of their infirmities, leaning on their bosoms, weeping over their graves, slumbering in the manger, bleeding on the cross, that the prejudices of the synagogue, and the doubts of the academy, and the pride of the portico, and the fasces of the lictor, and the swords of thirty legions were humbled in the dust.
I' ve won awards. And they didn't make me feel bad winning them. They made me feel pretty good. But it also did not make me feel bad NOT winning the Academy Award.
White people are very good at acting like they're not racist. They deserve an Academy Award for that.
I'm always watching films. The Academy pretty much sends me every film that's ever been done. I enjoy watching them, especially with the people I know.
I have dear friends in South Carolina, folks who made my life there wonderful and meaningful. Two of my children were born there. South Carolina's governor awarded me the highest award for the arts in the state. I was inducted into the South Carolina Academy of Authors. I have lived and worked among the folks in Sumter, South Carolina, for so many years. South Carolina has been home, and to be honest, it was easier for me to define myself as a South Carolinian than even as an American.
Success has many ways of coming to you. Sometimes it comes right away, and then the film's instantly forgotten. Sometimes you can't remember what won the Academy Award for best picture, and then you can remember the one that didn't. And then sometimes in the afterlife, films that were not successful at all become these giant successes.
I've been very lucky with the people I've met over the years. Way back in the early '70s I went to [Phil] Seuling's conventions for something like three years in a row from '70 to '72 and I remember at the '72 luncheon with the Academy of Comic Book Artists and talking with John Romita about the kind of brushes he used. Pros ask pros the same questions that fans do. "What kind of pens do you use? What kind of brushes do you use?" I was so amazed that the wonderful work John Romita was doing was accomplished with a Windsor-Newton series 7 Number 4. Not a 2 or a 3, but a 4.
I went to Europe to live in 1961. I'd never have written Julian if it hadn't been for the sequestered life that I led in Rome and the classical library at the America Academy.
I didn't speak a single word of English when I was told that I was one of the lucky students been selected to go to study at the Houston Ballet Academy. I knew I had to study hard in every aspect, in both language and dance, which I did. I put my whole heart and soul into each minute of my day while in America and what an experience those six weeks gave me.
Teachers have been heroes to me, as well as artists and writers, and I'm honored to be among their ranks. There is always a lot of grousing about the academy. I suppose it comes from our all-American anti-authoritarianism.
I hadn't even dreamed of getting another Academy Award, and there I was unhappy in my private life and miserable, I remember Odets drove me three times around the Biltmore, where the Oscars were given out, because I was so full of tears.
I wanted to be an actor my whole young life. My dad was an actor, obviously - he won an Academy Award, but I had no idea what was involved. I had all the wrong ideas about acting.
When the State wishes to endow an academy or university, it grants it a tract of forest land: one saw represents an academy, a gang, a university.
In vain are Schools, Academies, and Universities instituted, if loose Principles and licentious habits are impressed upon Children in their earliest years . . . . The Vices and Examples of the Parents cannot be concealed from the Children. How is it possible that Children can have any just Sense of the sacred Obligations of Morality or Religion if, from their earliest Infancy, they learn their Mothers live in habitual Infidelity to their fathers, and their fathers in as constant Infidelity to their Mothers.
I confess myself utterly at a loss in suggesting particular reforms in our ways of teaching. No discretion that can be lodged with a school-committee, with the overseers or visitors of an academy, of a college, can at all avail to reach these difficulties and perplexities, but they solve themselves when we leave institutions and address individuals.
I was very aware when I went to the Academy Awards that it would probably be my first and last time. So I thought my input should really be about fertility, and I thought I'd bring some eggs.
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