Abrams's Advice: When eating an elephant, take one bite at a time.
I would love to work with Guillermo del Toro and J.J. Abrams. I think they are creative geniuses that are constantly producing great work, and they're two people that I would just love to work with.
JJ Abrams is definitely a guy that when he calls, you want to answer. He's incredibly focused. When he was shooting the pilot on 'Lost,' we'd do a take and he'd go back to his tent and be working on the first episodes of 'Lost' as well as the cliffhanger for the eighth season of 'Alias.' He's an incredible multitasker.
I really want to meet and work with JJ Abrams. Everyone talks about what a nice director he is, and he has kids and stuff, so he sounds really awesome, not to mention he makes awesome movies.
When I work, I'm the actor. I'm going to do my job. I'm not going to direct the movie. If I wanted to direct it, I would direct it. I wanted J.J. Abrams to direct Mission: Impossible. I work with people that I respect. I expect them to do their jobs, and I will do mine. And I am there as a producer to help in any way, but no one makes a movie by themselves. It's a collaboration.
J.J. Abrams and Jonah Nolan and Lisa Joy, who are brilliant people, so I knew it [Westworld] was going to be amazing.
I wish that every director was as interested in doing as much in camera and with physical objects as much as possible as J.J. Abrams is.
Abram, having failed in Genesis 13, comes through with flying colors in this battle of faith because he aligns himself with God, and he refuses to allow his heart to be compromised by the possibility of taking the riches that this world can offer.
Fobbit is fast, razor sharp, and seven kinds of hilarious. Thank you, Mr. Abrams, for the much needed salve--it feels good to finally laugh about Iraq. Fobbit deserves a place alongside Slaughterhouse Five and Catch-22 as one of our great comic novels about the absurdity of war.
The politics of that year [2004] are old now, but the problem remains the same, the real culture clash of American life. It's between the essence of fundamentalism - paternalism, authority, and charity - and the messy imperatives of democracy, "the din of the vox populi" once derided by Abram Vereide. It's the difference between false unity, preached from above, and real solidarity, pledged between brothers and sisters - the kinds who are always bickering.
I feel like that [the role in Star Trek] is a prime example of, yeah, I got that role and it was awesome, because it changed a lot for me professionally, but then creatively, it became a whole other thing, with J.J. [Abrams] and Chris [Pine] and the people I got to know. Now I just feel like it's our jobs to be open and to keep moving stuff forward. I don't know what that means. This is the first time in a long time that I have no idea what's happening next. As scary as that is, and as anxiety-provoking as that can still be, it's also really exciting.
Because of 'Lost,' particularly, J.J. Abrams's fans are all over his stuff.
I fell in love with 'Star Trek' after J. J. Abrams's movie. I'm so into that.
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