I loved Duran Duran's "Girls on Film" - it was really sexy and naughty and totally weird. When you're a kid watching that stuff on television you're like, "Well, we are opening up as a society!"
It's not just about acting. I love film, I'm a director now, I love writing, I love producing, I love having a company that makes films and to be prolific and have a place to put all the ideas that are constantly bubbling up inside of me and that don't let me sleep at night.
Becoming emancipated at 14, my life wasn't normal. I didn't have to go to school, so I didn't. I was rebellious by nature. I spent my 20s focusing on my company, Flower Films, and producing movies. Now that I'm almost 30, I would like to try other things in lie. I'm crazy about photography, and I want to take an art history class.
I grew up in a family that was multifaceted, sexually oriented, and pretty much open to everything. And because I was working, my friends were all adults. I had a tough time going to different schools because people knew me from films and I was the fat child who got beaten up every day.
I can tell when an actor's forcing tears, and it's tricky because you then have to film it and edit in a certain way to skirt around the issue.
I really have created a family. I work with the people I love, I travel with them, I make films with them, and I'm in an office with them. So in a weird way - I know I haven't birthed a child - I feel that I'm a part of creating a family. It's a tribe. I love that word.
I remember being on film sets when I was younger, and only men got to do the cool action movies. So I thought, 'Maybe I'll get to produce one day and get to do cool stuff too,' which is what happened when we did 'Charlie's Angels.' Starting my production company was a big turning point for me.
When I did 'E.T.,' it sort of solidified the only family I know are these film crews. These gypsies. These filmmakers. That was the solidification and the clicking revelations of 'This is what I want to do with my life and this is where I'm going to survive.'
I did love horror films from the '70s and '80s. That was my sweet spot.
When you work in film, you learn to appreciate a distributor. You can have this great little film, but if you don't have a distributor, you are sitting in your living room with a great little film.
I want to be with the man who wants to open a movie studio with me and make films for new, fresh filmmakers who aren't getting a chance somewhere else. I haven't yet had that type of partnership in a romantic relationship.
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