Others are to us like the characters in fiction, eternal and incorrigible; the surprises they give us turn out in the end to have been predictable and unexpected variations on the theme of being themselves.
The American character looks always as if it had just had a rather bad haircut, which gives it, in our eyes at any rate, a greater humanity than the European, which even among its beggars has all too much a professional air.
The strongest argument for the un-materialistic character of American life is the fact that we tolerate conditions that are, from a materialistic point of view, intolerable. ... No nation with any sense of material well-being would endure the food we eat, the cramped apartments we live in, the noise, the traffic, the crowded subways and buses. American life, in large cities, at any rate, is a perpetual assault on the senses and the nerves.
If you talked or laughed in church, told lies, had impure thoughts or conversations, you were bad; if you obeyed your parents or guardians, went to confession and communion regularly, said prayers for the dead, you were good.
I once started a detective story to make moneybut I couldn't get the murder to take place! At the end of three chapters I was still describing the characters and the milieu, so I thought, this is not going to work. No corpse!
Sex annihilates identity, and the space given to sex in contemporary novels is an avowal of the absence of character.
The strongest argument for the un-materialistic character of American life is that we tolerate conditions that are, from a materialistic point of view, intolerable.
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