The Superego, in censoring the unconscious and in implanting conscience, also censors the censor.
The people are led to find in the productive apparatus the effective agent of thought and action to which their personal thought and action can and must be surrendered. And in this transfer, the apparatus also assumes the role of a moral agent. Conscience is absolved by reification.
The avant-garde and the beatniks share in the function of entertaining without endangering the good conscience of the men of good will.
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