One must live in the middle of contradiction, because if all contradiction were eliminated at once life would collapse.
The writer works on the inside and the critic works on the outside. I don't know what it looks like on the outside, sometimes. It's not that I'm not interested-it's not where I live. I live inside the story.
Sometimes a person needs a story more than food to stay alive.
Throughout the centuries we have projected on to the wolf the qualities we most despise and fear in ourselves.
In behaving respectfully toward all that the land contains, it is possible to imagine a stifling ignorance falling away from us.
Over the years, one comes to measure a place, too, not just for the beauty it may give, the balminess of its breezes, the insouciance and relaxation it encourages, the sublime pleasures it offers, but for what it teaches. The way in which it alters our perception of the human. It is not so much that you want to return to indifferent or difficult places, but that you want to not forget.
Watching the animals come and go, and feeling the land swell up to meet them and then feeling it grow still at their departure, I came to think of the migrations as breath, as the land breathing. In spring a great inhalation of light and animals. The long-bated breath of summer. And an exhalation that propelled them all south in the fall.
The wolf exerts a powerful influence on the human imagination. It takes your stare and turns it back on you
Would the last animal, eating garbage and living on the last scrap of land, his mate dead, would he still forgive you?
Eden is a conversation. It is the conversation of the human with the Divine. And it is the reverberations of that conversation that create a sense of place. It is not a thing, Eden, but a pattern of relationships, made visible in conversation. To live in Eden is to live in the midst of good relations, of just relations scrupulously attended to, imaginatively maintained through time. Altogether we call this beauty.
It is the imagination that gives shape to the universe.
I lay there knowing something eerie ties us to the world of animals. Sometimes the animals pull you backward into it. You share hunger and fear with them like salt in blood.
Because you have seen something doesn't mean you can explain it. Differing interpretations will always abound, even when good minds come to bear. The kernel of indisputable information is a dot in space; interpretations grow out of the desire to make this point a line, to give it direction. The directions in which it can be sent, the uses to which it can be put by a culturally, professionally, and geographically diverse society are almost without limit. The possibilities make good scientists chary.
You continue to live them out, making your life a worthy expression of leaning into the light.
What does it mean to grow rich? Is it to have red-blooded adventures and to make a ‘fortune,’ which is what brought the whalers and other entrepreneurs north? Or is it, rather, to have a good family life and to be imbued with a far-reaching and intimate knowledge of one’s homeland, which is what the Tununirmiut told the whalers at Pond’s Bay wealth was? Is it to retain a capacity for awe and astonishment in our lives, to continue to hunger after what is genuine and worthy? Is it to live at moral peace with the universe?
For so many centuries, the exchange of gifts has held us together. It has made it possible to bridge the abyss where language struggles.
The attempt to close the gap between what is known and what IS, is the temptation behind the apple in Genesis.
It does not demean men to want to be what they imagine the wolf to be, but it does demean them to kill the animal for it.
People think that if you've written a book and somebody's given you a pat on the back then, you know, it's all - you're all settled, you know? You're going to be fine. I know that if I'm not confused, and really afraid, my work isn't going to be any good.
If I were to offer any advice to young writers, it would be this: be discriminating and be discerning about the work you set for yourself. That done, be the untutored traveler, the eager reader, the enthusiastic listener. Put what you learn together carefully, and then write thoughtfully, with respect both for the reader and your sources.
The gaze of the wolf reached into our soul.
There are simply no answers to some of the great pressing questions.
When I sit at that typewriter, I have to be frightened of what I'm trying to do. I'm frightened by my own belief that I can actually get a story down on paper.
There's so much to be afraid of.
My function as a writer is to provide an atmosphere in which people can think wisely about what we're doing on this planet.
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