When your songs are like your babies, even the one that you know aren't great, you still love.
As far as the persona, I'm true to myself. Not because I'm arrogant, but I'm true to myself because I believe that you have to stand for something. When you start sacrificing that, even if it's just a line in a song or something you say on the mic at a show, or the way you treat someone when you see them out in public, that all reflects on who you are.
I really tried to push every genre that I could into this record. I wanted every song to have this feel, where as soon as the listener tunes in, they say "That's CoJo, that's Cody right there." That being said, it is a little different. There's Americana, there's Bluegrass, there's some rock, there's some really George Jones-style stuff on it, slow-style Ray Price country elements, there's some modern country, a little of this and a little of that. We tried to push a lot for show versatility, because I grew up with a lot of versatility in my music.
I really think it's just the people you put around you. For instance, you mentioned "Kiss Goodbye," that was a song that was brought to me by Dan Couch and Dale Oliver. They had already started writing it without. They had put together this whole demo of music with no lyrics.
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