I don't know much about creative writing programs. But they're not telling the truth if they don't teach, one, that writing is hard work and, two, that you have to give up a great deal of life, your personal life, to be a writer.
Novels give you the matrix of emotions, give you the flavour of a time in a way formal history cannot.
It's lovely to have money to give away - that's the bonus of winning the Nobel.
Africa gives you the knowledge that man is a small creature, among other creatures, in a large landscape.
Everyone knows that where there is something that is capable of giving profit, then exploited it will be.
All I do is give interviews and spend time being photographed.
What is charm then? The free giving of a grace, the spending of something given by nature in her role of spendthrift ... something extra, superfluous, unnecessary, essentially a power thrown away.
But there is no doubt that to attempt a novel of ideas is to give oneself a handicap: the parochialism of our culture is intense. For instance, decade after decade bright young men and women emerge from their universities able to say proudly: 'Of course I know nothing about German literature.' It is the mode. The Victorians knew everything about German literature, but were able with a clear conscience not to know much about the French.
They can't give a Nobel to someone who's dead so I think they were probably thinking they had better give it to me now.
You have to give up a great deal of life, your personal life, to be a writer.
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