I like the fact that in ancient Chinese art the great painters always included a deliberate flaw in their work: human creation is never perfect.
When I look at the galaxies on a clear night - when I look at the incredible brilliance of creation, and think that this is what God is like, then instead of feeling intimidated and diminished by it, I am enlarged . . . I rejoice that I am a part of it.
A great painting or symphony or play, doesn't diminish us, but enlarges us, and we, too, want to make our own cry of affirmation to the power of Creation behind the Universe.
The discipline of creation, be it to paint, compose, write, is an effort towards wholeness.
It is an extraordinary and beautiful thing that God, in creation. . . works with the beauty of matter; the reality of things; the discoveries of the senses, all five of them; so that we, in turn, may hear the grass growing; see a face springing to life in love and laughter. . . The offerings of creation. . . our glimpses of truth.
But unless we are creators we are not fully alive. What do I mean by creators? Not only artists, whose acts of creation are the obvious ones of working with paint of clay or words. Creativity is a way of living life, no matter our vocation or how we earn our living. Creativity is not limited to the arts, or having some kind of important career.
My husband is my most ruthless critic... sometimes he will say, 'It's been said better before.' Of course it has. It's all been said better before. If I thought I had to say it better than anybody else, I'd never start. Better or worse is immaterial. The thing is that it has to be said; by me; ontologically. We each have to say it, to say it our own way. Not of our own will, but as it comes out through us. Good or bad, great or little: that isn't what human creation is about. It is that we have to try; to put it down in pigment, or words, or musical notations, or we die.
A burst of harmony so brilliant that it almost overwhelmed them surrounded Meg, the cherubim, Calvin, and Mr. Jenkins. But after a moment of breathlessness, Meg was able to open herself to the song of the farae, these strange creatures who were Deepened, rooted, yet never seperated from each other, no matter how great the distance. We are the song of the universe. We sing with the angelic host. We are musicians. The farae and the stars are the singers. Our song orders the rhythm of creation.
Behind the violence of the birthing of galaxies and stars and planets came a quiet and tender melody, a gentle love song. All the raging of creation, the continuing hydrogen explosions on the countless suns, the heaving of planetary bodies, all was enfolded in a patient, waiting love.
There is no way that you can read the entire Bible seriously and take every word literally. Contradictions start in the first chapter of Genesis. There are two Creation stories, two stories of the making of Adam and Eve. And that is all right. The Bible is still true.
Art is an affirmation of life, a rebuttal of death. And here we blunder into paradox again, for during the creation of any form of art, art which affirms the value and the holiness of life, the artist must die. To serve a work of art, great or small, is to die, to die to self.
The virgin birth has never been a major stumbling block in my struggle with Christianity; it's far less mind boggling than the Power of all Creation stooping so low as to become one of us.
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