Alcoholism is the disease of more.
I am shy by nature, a person who's always found something burdensome about human interaction and who probably always will, at least to some degree.
Our culture thrives on black-and-white narratives, clearly defined emotions, easy endings, and so, this thrust into complexity exhausts.
When you love somebody, or something, its amazing how willing you are to overlook the flaws.
Why do I find the fantasy - husband, family, kids - exhausting instead of alluring? Is there something wrong with me? Do I have a life?
Mastery over the body - its impulses, its needs, its size - is paramount; to lose control is to risk beauty, and to risk beauty is to risk desirability, and to risk desirability is to risk entitlement to sexuality and love and self-esteem.
I'm 38 and I'm single, and I'm having my most intense and gratifying relationship with a dog. But we all learn about love in different ways, and this way happens to be mine.
Was he smart enough? Introspective enough? Was it just enough to love him, or should I attach myself to someone who seemed farther ahead of me, someone smarter and more ambitious than me, who'd be sure to carry me along into the version of adulthood I thought I should be striving for?
Around the time I began starving, in the early eighties, the visual image had begun to supplant text as culture's primary mode of communication, a radical change because images work so differently than words: They're immediate, they hit you at levels way beneath intellect, they come fast and furious.
Love—the desire to love and be loved, to hold and be held, to give love even if your experience as a recipient has been compromised or incomplete—is the constant on the continuum of hunger, it's what links the anorexic to the garden-variety dieter, it's the persistent pulse of need and yearning behind the reach for food, for sex, for something.
Something is missing: that's as close as I can come to naming the sensation, an awareness of missed or thwarted connections, or of a great hollowness left where something lovely and solid used to be. ...There is something fundamentally insatiable about being human, as though we come into the world with a kind of built-in tension between the experience of being hungry, which is a condition of striving and yearning, and the experience of being fed, which may offer temporary satisfaction but always gives way to new strivings, new yearnings.
When you quit drinking you stop waiting.
American companies spend more than $200 billion each year hacking women's bodies into bits and pieces, urging comparisons between self and other, linking value to air-brushed ideals, and as the girls in my seventh-grade class graduated to high school and beyond, the imagery around us would only grow more specific, more pummeling, more insidious.
You'll reach into your wallet to brandish a photograph of a new puppy, and a friend will say, 'Oh, no - not pictures.
Academic achievement was something I'd always sought as a form of reward. Good grades pleased my parents, good grades pleased my teachers; you got them in order to sew up approval.
My recipe for bliss on a Friday night consists of a 'New York Times' crossword puzzle and a new episode of 'Homicide;' Saturdays and Sundays are oriented around walks in the woods with the dog, human companion in tow some of the time but not always.
It happened this way: I fell in love and then, because the love was ruining everything I cared about, I had to fall out.
I'm still prone to periods of isolation, still more fearful of the world out there and more averse to pleasure and risk than I'd like to be; I still direct more energy toward controlling and minimizing appetites than toward indulging them.
Solitude is a breeding ground for idiosyncrasy, and I relish that about it, the way it liberates whim.
The key, I suppose, has less to do with insight than with willingness, the former being relatively useless without the latter.
Smooth and ordered on the outside; roiling and chaotic and desperately secretive underneath, but not noticeably so, never noticeably so.
By definition, memoir demands a certain degree of introspection and self-disclosure: In order to fully engage a reader, the narrator has to make herself known, has to allow her own self-awareness to inform the events she describes.
Me, I walk along and feel quietly defensive, a recluse in the Land of We. That's quite the loaded word, 'we.
On the broad spectrum of solitude, I lean toward the extreme end: I work alone, as well as live alone, so I can pass an entire day without uttering so much as a hello to another human being. Sometimes a day's conversation consists of only five words, uttered at the local Starbucks: 'Large coffee with milk, please.
When I drank, the part that felt dangerous and needy grew bright and strong and real. The part that coveted love kicked into gear. The yes grew louder than the no.
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