Writers who have nothing to say always strain for metaphors to say it in.
"Very" is the most useless word in the English language and can always come out. More than useless, it is treacherous because it invariably weakens what it is intended to strengthen. For example, would you rather hear the mincing shallowness of "I love you very much" or the heart-slamming intensity of "I love you"?
A cardinal rule of writing is never interrupt yourself to explain something. If you must bring up an obscure topic, drop informative hints about it as you go along so that you don't end up with the entire explanation all in one place. This keeps you from skidding to a stop and sounding teacherish. Otherwise it's better to omit the obscure topic altogether, or as mothers might put it: if you can't say it interestingly, don't say it at all.
I cherish the review-as-literature; as lapidary journalism in the eighteenth-century mode, the last hard sparkling diamond in theessayists's tarnished crown. To me, writing a good review is not just a way to make extra money, but a sacred duty.
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