Sundance felt like a natural fit. I love coming here, and I do think that this festival suits my films rather than most of the festivals I've been to. I'm not going to Cannes, you know.
When you're actually making a film, it's just people on your back all the time wanting stuff and you're constantly having to it deal with them. It's probably the most time consuming of all the arts, but I do love it because it is a great mix of visual art and music and writing.
The films I like to watch are when they make it relatable to human audiences.
A feature film is an expansion of budget, stress, story, hours, time, workload, everything.
I loved him [Ke Huy Quan as Short-Round in Indiana Jones and the Temple of Doom] - everyone loved him when I saw the film. Now I'm a grown-up and I watch it I'm not so sure - he's so loud. He yells for the entire film.
Short film: you can be poetic and you don't have to answer anything. You can make whatever you want. You have creative freedom with short film.
I have to keep reminding myself that I was hired for a reason and one of those reasons is because of the stories I tell and the films I've made previously.
With a feature film you're dealing with so much more money and you've got to be very aware of the fact that you're really working with an audience. You've got to have a relationship with the audience. Play with them and show them things you want them to see.
My job is to make a film that can sit as a standalone piece, that if it's the only Marvel film you see, it's a great film with a great story in and of itself. The lucky thing is that there's a bunch of geniuses who run Marvel that make sure, even if it's a standalone piece, that it's part of a great big jigsaw puzzle that could be appreciated as a whole as well.
A big part of the humor is in identifying with the tragic elements of the film. The New Zealand sense of humor is very dark. Our films are usually very dark and it's always someone being killed. Usually a child.
Everything changes once you start trying to market the film. Part of you feels like everything is slipping away from you. For me, I don't want people going to the theater thinking it's going to be a laugh-a-minute comedy, like a Will Ferrell film or something. Because it's not.
There are lots of parts of filmmaking that I don't like. At the end of the day, especially on features, the film turns into a commodity. You have to play this entirely new game I'm very uncomfortable with.
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