Goethe said that the worst thing in art is technical facility accompanied by triteness. Many an artist, like God, has never needed to think twice about anything. His works are the mad scene from Giselle , on ice skates: he weeps, pulls out his hair holding his wrists like Lifar and tells you what Life is, all at a gliding forty miles an hour.
Most works of art are, necessarily, bad...; one suffers through the many for the few.
The usual criticism of a novel about an artist is that, no matter how real he is as a man, he is not real to us as an artist, since we have to take on trust the works of art he produces.
First one gets works of art, then criticism of them, then criticism of the criticism, and, finally, a book on The Literary Situation , a book which tells you all about writers, critics, publishing, paperbacked books, the tendencies of the (literary) time, what sells and how much, what writers wear and drink and want, what their wives wear and drink and want, and so on.
Art matters not merely because it is the most magnificent ornament and the most nearly unfailing occupation of our lives, but because it is life itself.
The safest way to avoid the world is through art; and the safest way to be linked to the world is through art.
Art is long, and critics are the insects of a day.
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