The key to being a wonderful writer is not to write. You just get out of the way. Leave room for God to walk in the room. And when I write something that I know is right, I get on my knees and say 'thank you.'
People write negatives things, cause they feel that's what sells. Good news to them, doesn't sell.
Love. Children are loving, they dont gossip, they dont complain, theyre just open-hearted. Theyre ready for you. They dont judge. They dont see things by way of color. Theyre very child-like. Thats the problem with adults: they lose that child-like quality. And thats the level of inspiration thats so needed and is so important for creating and writing songs and for a sculptor, a poet or a novelist. Its that same kind of innocence, that same level of consciousness, that you create from. And kids have it. I feel it right away from animals and children and nature. Of course.
Most people don't know me, that is why they write such things in which most is not true. I cry very very often because it hurts and I worry about the children, all my children all over the world, I live for them.
The more passive one's life in the field, the greater the need to reverse the situation when one returns home, which is why the arcane and authoritative character of academic writing may be seen, to some extent, as a vengeful reaction to the inertia, uneventfulness, and waiting one had to endure as a guest at someone else's banquet. A way of redressing an existental imbalance, as it were reclaiming authorial will by superimposing one's own meaning on theirs...
I wake up from dreams and go, 'Wow, put this down on paper.' The whole thing is strange. You hear the words, everything is right there in front of your face. ... I am always writing a potpourri of music. I want to give the world escapism through the wonder of great music and to reach the masses. ... And I remember going to the record studio and there was a park across the street and I'd see all the children playing and I would cry because it would make me sad that I would have to work instead.
I wrote a book called ‘Dancing The Dream’. It was more autobiographical than Moonwalk, which I did with Mrs. Onassis. It wasn’t full of gossip and scandal and all that trash that people write, so I don’t think people paid much attention to it, but it came from my heart. It was essays, thoughts and things that I’ve thought about while on tour
I could compose and write music and get to share it with the masses and the people around the world and to have them to receive it so beautifully - I love that.
I love composing and writing music and dancing and performing and conceptualizing creatively for visual mediums. I love to create.
I am always writing a potpourri of music. I want to give the world escapism through the wonder of great music and to reach the masses.
The teacher always used me as an example to the class of good English and good storytelling because we all had to write the same stories. But she used to make me go out front - which I hated - and read my story to the class and I would get huge applause. Not because of who I was but because they truly enjoyed the stories I wrote.
I'll never forget that little apple box I stood on because I couldn't reach the microphone. My name was written on it and it's sitting at Diana Ross's house now. She has all my little doodling papers I would draw and write.
They hunt you. It's terrible... They never think about how the person feels about what they write.
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