Screenwriting involves an often un-personal process. Co-writers, directors, producers, everyone has a say in what you put on a page, and stories are constantly changing according to budget, actors, and commercial needs. Films are a collaborative process and are also inherently narrative and structured, so you are always working within very tight parameters. Short fiction unleashes a more intimate voice and a passion for language. I believe short narratives can have the same amount of danger and drama as any action film.
The English language is direct, unapologetic, and wonderfully amoral. Italian has a beautiful sound, but you cannot help but feel that you are always dealing with ghosts from the past and the looming dark presence of the Vatican.
Being a mother is the perfect experience for any writer. You learn how to not waste time. The writing hours become incredibly precious and concentrated because the rest of your day is completely packed with diapers, edible liquid foods that look like pooh, tiny bathtubs, and unconditional love.
I had this whole hippie idea of how easy raising a baby would be. How he would just eat and sleep and listen to Mozart, and I could just go on with my life the way it was. I was very wrong. It [being a mother] has taught me to be present and to live inside my body rather than in some out-there fantasy world.
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