Stephanie Zacharek Quotes

• Ewan McGregor stars as Jedi Obi-Wan Kenobi, again doing a fine Alec Guinness impersonation but otherwise seeming lost and alone in the galaxy as the one actor attempting to give a real performance in this mess.

  Stephanie Zacharek

  Stars, Real, Giving

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• It's time to start recognizing that not all escapist entertainment is created equal. And that some of it isn't even entertainment. "Miss March" is, to use the vernacular of the escapist moviegoer, the biggest pile of crap I've seen in ages.

  Stephanie Zacharek

  Missing, Age, Use

  "Miss March" by Stephanie Zacharek, www.salon.com. March 13, 2009.

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• The scariest thing in it may be the way the clock radio has a way of turning itself on, loudly, of its own accord. The song is always the Carpenters' "We've Only Just Begun." Now that's horror.

  Stephanie Zacharek

  Song, May, Radio

  Review of 1408, Salon.com, 2007.

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• We've moved away from being a culture of people who think about movies to one made up of people who believe that spouting a list of preferences is the same as registering an opinion.

  Stephanie Zacharek

  Believe, Thinking, People

  "Unintelligent Agent". Salon.com, January 17, 1997.

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• Monster is a compassionate picture without any obvious agenda. And it's effective precisely because it's not a polemic.

  Stephanie Zacharek

  Monsters, Agendas, Polemics

  "'Monster'". www.salon.com. December 26, 2003.

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• You can talk film theory till you're blue in the face, but in the end, the thing that may haunt you most about a movie is a pair of eyes.

  Stephanie Zacharek

  Eye, Blue, May

  "Seduced and Abandoned". Salon.com, May 09, 1997.

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• This isn't a picture filled with wonder and a sense of fun; it's so jaded and crass that I almost wonder if it's a highly unscientific experiment designed to gauge how little audiences will settle for these days. Manic and multicolored, "Speed Racer" is an excess of nothingness.

  Stephanie Zacharek

  Fun, Gauges, Excess

  "Speed Racer" by Stephanie Zacharek, www.salon.com. May 09, 2008.

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• It's impossible to tell what's going on at any given moment in Tomb of the Dragon Emperor; it's even harder to care about being able to tell.

  Stephanie Zacharek

  Dragons, Care, Able

  "The Mummy: Tomb of the Dragon Emperor". www.salon.com. August 01, 2008.

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• There are epic impulses everywhere you look in There Will Be Blood; what's missing is character development, focused storytelling and, most significantly (apart from that terrific opening sequence), any sense of raw, intuitive drama.

  Stephanie Zacharek

  Drama, Character, Epic

  "'There Will Be Blood'". www.salon.com. December 26, 2007.

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• Who would have thought that [director] Cameron Crowe had a movie as bad as Vanilla Sky in him? It's a punishing picture, a betrayal of everything that Crowe has proved he knows how to do right.

  Stephanie Zacharek

  Betrayal, Sky, Directors

  Review of Vanilla Sky, Salon Magazine, en.wikiquote.org. 2001.

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• The bigger question to ask about 300 is why, for a supposedly rousing tale of heroism, it's so curiously unaffecting.

  Stephanie Zacharek

  Heroism, Bigger, Tales

  Review of 300, Salon.com, 2007.

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• Pan's Labyrinth works on so many levels that it seems to change shape even as you watch it. It is, at times, a joyless picture, and its pall of sadness can begin to weigh you down.

  Stephanie Zacharek

  Sadness, Labyrinth, Watches

  Review of Pan's Labyrinth, Salon Magazine, 2006.

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• It's guilty of the very thing that makes kids hate history as a subject when it's taught badly: The Da Vinci Code makes the past feel like a dull, grainy, faraway thing, instead of something vibrant and alive.

  Stephanie Zacharek

  Hate, Kids, Past

  "The Da Vinci Code". www.salon.com. May 18, 2006.

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• I can't remember ever feeling so glad that a movie was finally over. [Director George] Lucas may have held my imagination hostage for two hours, but reclaiming it afterward wasn't hard at all.

  Stephanie Zacharek

  Two, Imagination, Feelings

  Review of "Star Wars Episode II: Attack of the Clones", Salon.com, 2002.

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• "Batman Begins" leaks existential phoniness from the first frame.

  Stephanie Zacharek

  Firsts, Existential, Leaks

  "Batman Begins" by Stephanie Zacharek, www.salon.com. June 15, 2005.

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• While "9 Songs" is sexually explicit in the basic sense, its directness is what's most fascinating, and ultimately most moving, about it.

  Stephanie Zacharek

  Song, Moving, Explicit

  “9 Songs” by Stephanie Zacharek, www.salon.com. July 22, 2005.

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• This film "Phantom" takes everything that's wrong with Broadway and puts it on the big screen in a gaudy splat.

  Stephanie Zacharek

  Broadway, Phantoms, Film

  "The Phantom of the Opera" by Stephanie Zacharek, www.salon.com. December 23, 2004.

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• Oldboy makes us feel a part of something bigger than ourselves. It's a grand, gritty, indelible experience, the sort of picture that mimics great literature in the way it envelops you in a well-told story while also evoking subtle but strong gradations of emotion.

  Stephanie Zacharek

  Strong, Stories, Literature

  "Thunder Out of Korea". www.salon.com. March 26, 2005.

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• Children of Men is a solemn, haunting picture, but it's also a thrilling one, partly because of the sheer bravado with which it's made. It left me feeling more fortified than drained. [Director Alfonso] Cuarón, the most openhearted of directors, prefers to give rather than take away.

  Stephanie Zacharek

  Children, Men, Giving

  "'Children of Men'". www.salon.com. December 25, 2006.

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