Werner Herzog Quotes About Painting

Quotes about: Painting

• You are confronted with abysses of time that are, in a way, unfathomable. You see a painting in charcoal of raindeer and it was left unfinished and somebody else finished it. But through radio carbon dating we know that the next one completed the painting 5,000 years later. You're just blown away by the notion of passage of time. We have no relationship to that kind of depth of time.

  Werner Herzog

  Years, Dating, Radio

  "Cave of Forgotten Dreams (3D) - Werner Herzog interview". Interview with Rob Carnevale, www.indielondon.co.uk.

• It is not only my dreams, my belief is that all these dreams are yours as well. The only distinction between me and you is that I can articulate them. And that is what poetry or painting or literature or filmmaking is all about... and it is my duty because this might be the inner chronicle of what we are. We have to articulate ourselves, otherwise we would be cows in the field.

  Werner Herzog

  Dream, Would Be, Literature

• Chauvet Cave is rather like the awakening of the modern human soul or I would say the awakening of modern human culture. Because Neanderthal men who still rode the landscape parallel to the people who did these paintings didn't have culture. There's no evidence of culture, no symbolic depiction, no evidence of music, no evidence of sculptures, no evidence of religious beliefs.

  Werner Herzog

  Religious, Men, People

  "Cave of Forgotten Dreams (3D) - Werner Herzog interview". Interview with Rob Carnevale, www.indielondon.co.uk.

• When you look at the paintings at Chauvet Cave, they're not primitive or like children's little scribbles, it bursts on the scene fully accomplished and when you look through the faces of cultural history, art history, it has never gotten any better.

  Werner Herzog

  Art, Children, Looks

  "Cave of Forgotten Dreams (3D) - Werner Herzog interview". Interview with Rob Carnevale, www.indielondon.co.uk.

• This is the birth of the modern human soul. The artists are like us, not like the Neanderthals, who had no culture - and who incidentally were still roaming the landscape at the time the paintings were made. It is striking that there is a distant cultural echo that seems to reach all the way down to us, over dozens of millennia.

  Werner Herzog

  Artist, Echoes, Soul

  "'The Birth of the Modern Human Soul'". Interview with David Gordon Smith, www.spiegel.de. February 16, 2011.

• In the Chauvet Cave, there is a painting of a bison embracing the lower part of a naked female body. Why does Pablo Picasso, who had no knowledge of the Chauvet Cave, use exactly the same motif in his series of drawings of the Minotaur and the woman? Very, very strange.

  Werner Herzog

  Drawing, Use, Caves

  "'The Birth of the Modern Human Soul'". Interview with David Gordon Smith, www.spiegel.de. February 16, 2011.

• The paintings are not just on flat walls - you have these enormous niches, bulges and protrusions, as well as stalactites and stalagmites. The effect of the three-dimensionality is phenomenal. It's a real drama which the artists of the time understood, and they used it for the drama of their paintings.

  Werner Herzog

  Wall, Real, Drama

  "'The Birth of the Modern Human Soul'". Interview with David Gordon Smith, www.spiegel.de. February 16, 2011.

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