Edward Gibbon Quotes About Art

Quotes about: Art

• Yet the arts of Severus cannot be justified by the most ample privileges of state reason. He promised only to betray; he flattered only to ruin; and however he might occasionally bind himself by oaths and treaties, his conscience, obsequious to his interest, always released him from the inconvenient obligation.

  Edward Gibbon

  Art, History, Might

  Edward Gibbon (1998). “Decline and Fall of the Roman Empire”, p.100, Wordsworth Editions

• Unprovided with original learning, unformed in the habits of thinking, unskilled in the arts of composition, I resolved to write a book.

  Edward Gibbon

  Art, Book, Writing

  Edward Gibbon (1814). “The Miscellaneous Works of Edward Gibbon: With Memoirs of His Life and Writings”, p.56

• The science of the church is neglected for the study of geometry, and they lose sight of Heaven while they are employed in measuring the earth. Euclid is perpetually in their hands. Aristotle and Theophrastus are the objects of their admiration; and they express an uncommon reverence for the works of Galen. Their errors are derived from the abuse of the arts and sciences of the infidels, and they corrupt the simplicity of the gospel by the refinements of human reason.

  Edward Gibbon

  Art, Sight, Hands

  Edward Gibbon (2015). “Delphi Complete Works of Edward Gibbon (Illustrated)”, p.594, Delphi Classics

• Agriculture is the foundation of manufactures; since the productions of nature are the materials of art. Under the Roman empire, the labour of an industrious and ingenious people was variously, but incessantly employed, in the service of the rich. In their dress, their table, their houses, and their furniture, the favourites of fortune united every refinement of conveniency, of elegance, and of splendour, whatever could soothe their pride or gratify their sensuality.

  Edward Gibbon

  Art, Pride, Agriculture

  Edward Gibbon (1841). “The History of the Decline and Fall of the Roman Empire, 1: With Maps”, p.33

• There are two very natural propensities which we may distinguish in the most virtuous and liberal dispositions, the love of pleasure and the love of action. If the former is refined by art and learning, improved by the charms of social intercourse, and corrected by a just regard to economy, to health, and to reputation, it is productive of the greatest part of the happiness of private life.

  Edward Gibbon

  Art, Two, History

  Edward Gibbon (2015). “History of the Decline and Fall of the Roman Empire V1: the History Focus”, p.348, 谷月社

• Fashion was the only law, pleasure the only pursuit, and the splendour of dress and furniture was the only distinction of the citizens of Antioch. The arts of luxury were honoured; the serious and manly virtues were the subject of ridicule; and the contempt for female modesty and reverent age announced the universal corruption of the capital of the East.

  Edward Gibbon

  Fashion, Art, Luxury

  Edward Gibbon (1860). “The History of the Decline and Fall of the Roman Empire”, p.174

• The slightest force, when it is applied to assist and guide the natural descent of its object, operates with irresistible weight; and Jovian had the good fortune to embrace the religious opinions which were supported by the spirit of the times and the zeal and numbers of the most powerful sect. Under his reign, Christianity obtained an easy and lasting victory; and, as soon as the smile of royal patronage was withdrawn, the genius of Paganism, which had been fondly raised and cherished by the arts of Julian, sunk irrecoverably in the dust.

  Edward Gibbon

  Religious, Art, Powerful

  Edward Gibbon (2016). “THE HISTORY OF THE DECLINE AND FALL OF THE ROMAN EMPIRE (All 6 Volumes): From the Height of the Roman Empire, the Age of Trajan and the Antonines - to the Fall of Byzantium; Including a Review of the Crusades, and the State of Rome during the Middle Ages”, p.1136, e-artnow

• The Gauls were endowed with all the advantages of art and nature; but as they wanted courage to defend them, they were justly condemned to obey, and even to flatter, the victorious Barbarians, by whose clemency they held their precarious fortunes and their lives.

  Edward Gibbon

  Art, Barbarians, Advantage

  Edward Gibbon, M. Guizot (François) (1854). “The History of the Decline and Fall of the Roman Empire”, p.157

• If we contrast the rapid progress of this mischievous discovery [gunpowder] with the slow and laborious advances of reason, science, and the arts of peace, a philosopher, according to his temper, will laugh or weep at the folly of mankind.

  Edward Gibbon

  Art, Discovery, Laughing

  The Decline and Fall of the Roman Empire ch. 65 (1776 - 1788)

• Greek is doubtless the most perfect [language] that has been contrived by the art of man.

  Edward Gibbon

  Art, Men, Perfect

• In this primitive and abject state [of hunters and gatherers], which ill deserves the name of society, the human brute, without arts or laws, almost without sense or language, is poorly distinguished from the rest of the animal creation.

  Edward Gibbon

  Art, Animal, Law

• The progress of manufactures and commerce insensibly collects a large multitude within the walls of a city: but these citizens are no longer soldiers; and the arts which adorn and improve the state of civil society, corrupt the habits of the military life.

  Edward Gibbon

  Art, Wall, Military

  Edward Gibbon (2016). “The Collected Works of Edward Gibbon: Historical Works, Autobiographical Writings and Private Letters, Including The History of the Decline and Fall of the Roman Empire”, p.1212, e-artnow

• Ignorant of the arts of luxury, the primitive Romans had improved the science of government and war.

  Edward Gibbon

  Art, War, Government

  Edward Gibbon (1871). “The History of the Decline and Fall of the Roman Empire”, p.22

• In the purer ages of the commonwealth, the use of arms was reserved for those ranks of citizens who had a country to love, a property to defend, and some share in enacting those laws which it was their interest, as well as duty, to maintain. But in proportion as the public freedom was lost in extent of conquest, war was gradually improved into an art, and degraded into a trade.

  Edward Gibbon

  Country, Art, War

  Edward Gibbon (2016). “THE HISTORY OF THE DECLINE AND FALL OF THE ROMAN EMPIRE (All 6 Volumes): From the Height of the Roman Empire, the Age of Trajan and the Antonines - to the Fall of Byzantium; Including a Review of the Crusades, and the State of Rome during the Middle Ages”, p.33, e-artnow

• The nations, and the sects, of the Roman world, admitted with equal credulity, and similar abhorrence, the reality of that infernal art [witchcraft], which was able to control the eternal order of the planets, and the voluntary operations of the human mind. . . . They believed, with the wildest inconsistency, that this preternatural dominion of the air, of earth, and of hell, was exercised, from the vilest motives of malice or gain, by some wrinkled hags and itinerant sorcerers, who passed their obscure lives in penury and contempt.

  Edward Gibbon

  Art, Reality, Air

  Edward Gibbon (1821). “The History of the Decline and Fall of the Roman Empire”, p.253

• A warlike nation like the Germans, without either cities, letters, arts, or money, found some compensation for this savage state in the enjoyment of liberty. Their poverty secured their freedom, since our desires and our possessions are the strongest fetters of despotism.

  Edward Gibbon

  Art, Cities, History

  Edward Gibbon (1854). “The history of the decline and fall of the Roman empire, with notes by Milman and Guizot. Ed. by W. Smith”, p.359

• The active, insatiate principle of self-love can alone supply the arts of life and the wages of industry; and as soon as civil government and exclusive property have been introduced, they become necessary to the existence of the human race.

  Edward Gibbon

  Art, Race, Government

  Edward Gibbon (2015). “Delphi Complete Works of Edward Gibbon (Illustrated)”, p.2063, Delphi Classics

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