There are tonalities which are noble and others which are vulgar, harmonies which are calm or consoling, and others which are exciting because of their boldness.
There are noble tones, ordinary ones, tranquil harmonies, consoling ones, others which excite by their vigour.
Many people say that I don't know how to draw because I don't draw particular forms. When will they understand that execution, drawing and color (in other words, style) must be in harmony with the poem?
By the combination of lines and colors, under the pretext of some motif taken from nature, I create symphonies and harmonies that represent nothing absolutely real in the ordinary sense of the word but are intended to give rise to thoughts as music does.
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