The soul's a sort of sentimental wife, That prays and whimpers of the higher life.
If Romeo and Juliet make a tragedy of it nowadays, they have only to blame their own mismanagement, for the world is with them as it has never been before, and all sensible fathers and mothers know it.
Though actually the work of man's hands - or, more properly speaking, the work of his travelling feet, - roads have long since come to seem so much a part of Nature that we have grown to think of them as a feature of the landscape no less natural than rocks and trees.
Modern science, then, so far from being an enemy of romance, is seen on every hand to be its sympathetic and resourceful friend, its swift and irresistible helper in its serious need, and an indulgent minister to its lighter fancies.
We have, of course, long since ceased to think of Nature as the sympathetic mirror of our moods, or to imagine that she has any concern with the temporal affairs of man.
Celestial spirit that doth roll; The heart's sepulchral stone away, Be this our resurrection day, The singing Easter of the soul - O gentle Master of the Wise, Teach us to say: "I will arise."
Be it whim or emergency, the modern laboratory is equally at the service of romance, equally ready to gratify mankind with a torpedo or a toy.
All myths that are something more than fancies gain rather than lose in value with time, by reason of the accretions of human experience.
Perhaps we too seldom reflect how much the life of Nature is one with the life of man, how unimportant or indeed merely seeming, the difference between them.
In their work, then, as in their play, men and women are more and more coming to share with each other as comrades, and really the fun of life seems in no wise diminished as a consequence.
It is curious how, from time immemorial, man seems to have associated the idea of evil with beauty, shrunk from it with a sort of ghostly fear, while, at the same time drawn to it by force of its hypnotic attraction.
More and more the world is growing to love a lover, and one has only to read the newspapers to see how sympathetic are the times to any generous and adventurous display of the passions.
We also maintain - again with perfect truth - that mystery is more than half of beauty, the element of strangeness that stirs the senses through the imagination.
All wines are by their very nature full of reminiscence, the golden tears and red blood of summers that are gone.
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