I like the touch and the smell of all the pretty dresses you wear.
I'm a bit cynical that it ever will be addressed properly. I think it is healthy to get some sort of copyright protection. But some of it has gone on forever.
One doubt, one voice, one war, one truth, one dream.
Letting go, it's so hard The way it's hurting now To get this love untied So tough to stay with this thing 'cos if I follow through I face what I denied I'll get those hooks out of me And I'll take out the hooks that I sunk deep in your side Kill that fear of emptiness, that loneliness I hide.
Once the flames begin to catch the wind will blow it higher, oh Biko, Biko.
The earthly power sucks shadowed milk from sleepy tears undone, from nippled skin as smooth as silk the bugles blown as one.
I love 5.1. Sometimes you can't squeeze everything in comfortably into a stereo picture. There is a lot more space in a 5.1 environment.
When we started OD2 in 1999, we were really expecting to work more with independents and so on because the major labels were spending millions on their own Pressplay and equivalents online, which haven't been very successful.
I think one of the things about writing in the studio is that the song hasn't matured, if you like, so quite often the vocals are early attempts. Whereas once you've taken it out on the road a bit, you learn more about a song.
Concerning iTunes, the deals have mainly been done with the record companies. But the artists, with some exceptions, haven't been very well-represented. This is partly because the record companies have largely been copyright owners.
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