People need to see that, far from being an obstacle, the world's diversity of languages, religions and traditions is a great treasure, affording us precious opportunities to recognize ourselves in others.
Music in Africa often contains messages. Music in Senegal, and Africa, is never music for music's sake or solely for entertainment. It's always a vehicle for social connections, discussions and ideas.
I think people should know more of Africa in terms of its joie de vivre, its feeling for life. In spite of the images that one knows about Africa - the economic poverty, the corruption - there's a joy to living and a happiness in community, living together, in community life, which may be missing here in America.
Africa is the future.
Travel teaches as much as books.
Malaria kills and its main victims are children and women. We can stop this scourge so people can live with dignity and go to work and school.
I want to use my music to deliver a political message and sometimes to denounce, but I don't want to be a politician.
In the West, you have always associated the Islamic faith 100 percent with Arab culture. This in itself is a fundamentalist attitude and it is mistaken.
I love meeting interesting people and doing things with them.
In Africa, there is much confusion.... Before, there was no radio, or other forms of communication.... Now, in Africa ... the government talks, people talk, the police talk, the people don't know anymore. They aren't free.
The question of modernization is central to disturbances in the Middle East and in Africa. Everyone is after modernization, no matter where they come from. But you have to be careful about it, and more importantly, you have to have sense about it.
I think that Sufism fits all over the world. The concept is not anything that fits standard Western ideas - it's always related to culture, to music, to religion. It is a dominant religion in Senegal.
When the slaves left Africa, they left us this music. They left us blues.
World music is about taking things from different places and bringing them together - which is great.
I have studied at the school of the world.
In politics, sometimes you have to lie, or you make a promise that you cannot keep.
Politics is politics; art is art. If you play a political role, you have to stop being an artist.
Senegal needs to free itself, to rediscover its democracy.
My music is like a spinning ball. It can turn in one direction, and then it comes back to origins.
I don't really see myself as an actor.
I grew up with reggae music.
Islam has been badly used by a certain ideology.
When I'm in Senegal, I can't just sit in isolation making music. People need my help. And the Senegalese people helped create my music. It comes from the country itself.
Western record companies haven't always dealt with African musicians in the best way. Giving them a lot of money and telling them they're going to be bigger than Phil Collins is the wrong way to do it!
I don't want to see that two-tier Senegal, that two-tier Africa, when you have those at the top and those at the bottom, people who are hungry, people who do not have enough to eat.
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