Everything written is as good as it is dramatic. It need not declare itself in form, but it is drama or nothing.
I think I know enough of hate to say that for destruction ice is also great and would suffice.
A poet must never make a statement simply because it sounds poetically exciting; he must also believe it to be true." - W. H. Auden "A poem...begins as a lump in the throat, a sense of wrong, a homesickness, a lovesickness...It finds the thought and the thought finds the words.
Sentences are not different enough to hold the attention unless they are dramatic. No ingenuity of varying structure will do. All that can save them is the speaking tone of voice somehow entangled in the words and fastened to the page for the ear of the imagination. That is all that can save poetry from sing-song, all that can save prose from itself.
I'd like to get away from earth awhile And then come back to it and begin over. May no fate wilfully misunderstand me And half grant what I wish and snatch me away Not to return. Earth's the right place for love: I don't know where it's likely to go better.
And nothing to look backward to with pride, and nothing to look forward to with hope.
But I may be one who does not care Ever to have tree bloom or bear.
Now close the windows and hush all the fields: If the trees must, let them silently toss.
But he had gone his way, the grass all mown, And I must be, as he had been - alone, As all must be, I said within my heart, Whether they work together or apart.
Now no joy but lacks salt That is not dashed with pain And weariness and fault; I crave the stain Of tears, the aftermark Of almost too much love, The sweet of bitter bark And burning clove.
Both T.S. Eliot and I like to play, but I like to play euchre, while he likes to play Eucharist.
Affection is an overpowering craving to be compellingly sought.
I own I never really warmed To the reformer or reformed. And yet conversion has its place Not halfway down the scale of grace.
The Moon for all her light and grace Has never learned to know her place.
Possessing what we still were unpossessed by, Possessed by what we now no more possessed.
Ants are a curious race
The question that he frames in all but words is what to make of a diminished thing.
For I have had too much Of apple-picking:I am overtired Of the great harvest I myself desired.
Oh, give us pleasure in the orch-ard white, Like nothing else by day, like ghosts by night.
My definition of poetry (if I were forced to give one) would be this: words that have become deeds.
The Armful For every parcel I stoop down to seize I lose some other off my arms and knees, And the whole pile is slipping, bottles, buns, Extremes too hard to comprehend at. once Yet nothing I should care to leave behind. With all I have to hold with hand and mind And heart, if need be, I will do my best. To keep their building balanced at my breast. I crouch down to prevent them as they fall; Then sit down in the middle of them all. I had to drop the armful in the road And try to stack them in a better load.
Two such as you with such a master speed Cannot be parted nor be swept away
A poem may be worked over once it is in being, but may not be worried into being.
Our life runs down in sending up the clock. The brook runs down in sending up our life. The sun runs down in sending up the brook. And there is something sending up the sun. It is this backward motion toward the source, Against the stream, that most we see ourselves in, The tribute of the current to the source. It is from this in nature we are from. It is most us.
I do not see why I should e’er turn back, Or those should not set forth upon my track To overtake me, who should miss me here And long to know if still I held them dear. They would not find me changed from him they knew — Only more sure of all I thought was true.
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