The painter makes real to others his innermost feelings about all that he cares for. A secret becomes known to everyone who views the picture through the intensity with which it is felt.
The painter must give a completely free rein to any feeling or sensations he may have and reject nothing to which he is naturally drawn.
The aura given out by a person or object is as much a part of them as their flesh. The effect that they make in space is as bound up with them as might be their colour or smell ... Therefore the painter must be as concerned with the air surrounding his subject as with the subject itself. It is through observation and perception of atmosphere that he can register the feeling that he wishes his painting to give out.
It is through observation and perception of atmosphere that he [the artist] can register the feeling that he wishes his painting to give out.
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