My approach to acting is that I am totally intuitive. I read the script and I get it. If I don't get it, I can't do it.
I knew at an early age I wanted to act. Acting was always easy for me. I don't believe in predestination, but I do believe that once you get where ever it is you are going, that is where you were going to be.
I like the character roles. Somewhere back there I really came to the conclusion in my mind that the difference between acting and stardom was major. And that if you become a star, people are going to go to see you. If you remain an actor, they're going to go and see the story you're in.
As you grow in this business, you learn how to do more with less.
If you're going to play a brain surgeon, you just have to learn how to say the words. You don't have to go and learn how to cut open somebody's scalp. I think acting is acting. Being is something else.
Acting means living, it's all I do.
Acting means living, it's all I do and all I'm good at. If I weren't getting paid well, I would still be acting in a small troupe somewhere.
I'm not sure that my upbringing has in itself informed my acting choices.
I like producing but acting is the quintessential me, and I'm probably better at that than I am at anything. My heart has always been in the movies.
There's an exercise we do where someone is sat behind you and you're asked to close your eyes and fall backwards. That's acting.
It [love about acting] is all about role playing - the same thing you do when you're a kid, when you play with dolls or toys and make up stories. I never grew out of it.
Writing I think, out of what all of us do, writing is the hardest. You're the only who start with nothing except what's up here. You do that. It's really hard I think, acting is not.
I never think about awards or anything like that when I do a job. I was first named a best actor when I was 12 years old and it doesn't really mean anything when you get down to it, because there is no best. I don't get all that involved. My chest puffs up as much as I can puff it up but I am not trying to be better than the person I am acting with. I am trying to be at least as good. That's how it works.
What do I want to do? Acting wise? Well, there's a western that I want to do. There's a lot of producing that I want to do, projects that I have stacked up that are in my office that I'd like to get done.
I was told that I was good in my dance movement classes and that I should concentrate on dance because it would enhance my ability to get acting work.
If I wasn't acting, I have no clue what I'd be doing 'cause I have no other talent.
I seldom get into the mood of the story. It's acting. I go in, I act, I quit. I don't take anything away from it.
You're not going to be able to look like anyone else, no matter how hard you try, unless you're a mimic, then you're not acting, you're just mimicking. You can't go on being John Wayne, that's John Wayne. So you're not going to steal from John Wayne. I'm not going to steal from John Wayne and you're not going to come back and say 'Didn't you get that from the circus?' You know. But he is one of those people who instructs me, whom I look up to - whom I think is one of the masters of his craft that I am so enamoured of.
No one is really a method actor, everyone has their way of going about it, preparing for it, but method is preparation, it's what you do to prepare. So my method is to read the script. Some actors' method is to read the script a hundred times and in the doing of it, to immerse themselves in as much of the reality as possible. Me, I believe strictly in acting. If I am out of breath, I'm out of breath. I ain't running nowhere.
Part of acting is having the security to turn yourself loose and let yourself go in order to reach whatever depths a character has. If your guts aren't hanging out there, you don't offer anything.
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