Ralph Fiennes Quotes About Film

Quotes about: Film

• If I had a gun to my head and I had to choose between theater and film I'd choose theater.

  Ralph Fiennes

  Gun, Film, Theater

• Kenya doesn't have much of an infrastructure for hosting a film of this scale. Our producer decided that for the film to really work it had to be in Kenya.

  Ralph Fiennes

  Kenya, Film, Infrastructure

• The film depends on the audience's belief in this relationship.

  Ralph Fiennes

  Belief, Film, Audience

• When you get into the edit you'll understand what making a film is. You'll see all the things you missed and all the possibilities you have from what you shot.

  Ralph Fiennes

  Film, Possibility, Shots

  "Coriolanus - Ralph Fiennes interview". Interview with Rob Carnevale, www.indielondon.co.uk.

• Kenya doesn't have much of an infrastructure for hosting a film.

  Ralph Fiennes

  Kenya, Film, Infrastructure

• Most films are rooted in a book or a comic strip, but I don't go out there saying I want to do adaptations.

  Ralph Fiennes

  Book, Want, Film

• And although I've been very fortunate in the film work that's come my way, I need to get back to the stage. If I'm away for a maximum of two years, I feel something's wrong.

  Ralph Fiennes

  Years, Two, Needs

• I never studied anything about film technique in school. Eventually, I realized that cinema and theater are not so different: from the gut to the heart to the head of a character is the same journey for both.

  Ralph Fiennes

  Heart, School, Character

• In the studio system, things are expected of a film. By the first, second, third act, there's a generic language that comes out of the more commercial system.

  Ralph Fiennes

  Firsts, Language, Film

• Going to the movies was a big event in my youth. My father would be the initiator - he'd have me put on a jacket to see a film.

  Ralph Fiennes

  Father, Events, Would Be

• Performance is made in the editing room, and I've come to see the truth in that - the idea that they say performances are usually made in the editing room because what you film is the raw material. I think just going through the process of saying, "Which take do we use? Why is that the take we want? I want that take can you edit again, I'm not sure that's the one, I think it's this one." And just because you go through that process, I think somehow it's made me sort of more open about the [actor's] possibilities.

  Ralph Fiennes

  Thinking, Editing, Ideas

  "Ralph Fiennes Talks THE GRAND BUDAPEST HOTEL, Collaborating with Wes Anderson, If He Will Direct More Shakespeare, and More in Berlin". Interview with Steve 'Frosty' Weintraub, collider.com. February 10, 2014.

• facebook
• twitter
• googleplus
• email
• linkedin

• facebook
• twitter
• googleplus
• email
• linkedin