Brian Eno Quotes About Writing

Quotes about: Writing

• What matters in modern music is not the part you can write down, the words and the tune, but the rest - the texture, the atmosphere, the references and associations.

  Brian Eno

  Writing, What Matters, Atmosphere

• If you think of the way a composer or say a pop arranger works - he has an idea and he writes it down, so there's one transmission loss. Then he gives the score to a group of musicians who interpret that, so there's another transmission loss. So he's involved with three information losses. Whereas what I nearly always do is work directly to the sound if it doesn't sound right. So there's a continuous loop going on.

  Brian Eno

  Writing, Loss, Thinking

  Source: www.interviewmagazine.com

• You know that in order to copyright material somebody has to write it down for you. Any piece of recorded material has to be scored in order for it to be copyrighted. I've seen the scores of my things and they don't resemble the music in any way. If you give them to somebody who has never heard the music and say, "What does this sound like to you?" they'll play you something that has no relationship with the music it derives from. Notation simply isn't adequate.

  Brian Eno

  Writing, Giving, Copyright

  Source: www.interviewmagazine.com

• I never wanted to write the sort of song that said, 'Look at how abnormal and crazy and out there I am, man!'

  Brian Eno

  Song, Crazy, Writing

  "Brian Eno: from the Velvet Underground to Burial". Interview with Rob Fitzpatrick, www.theguardian.com. July 1, 2011.

• My lyrics are generated by various peculiar processes. Very random and similar to automatic writing.

  Brian Eno

  Writing, Peculiar, Process

• We are increasingly likely to find ourselves in places with background music. No composers have thought to write for these modern spaces, which represent 30% of our musical experience.

  Brian Eno

  Writing, Space, Musical

• When you look back on a historical period of music, it seems so obvious to you what the characteristics of it are, but they're not obvious at the time. So, when I look back at my own work, I could easily write a very convincing sort of account of it that made it look like I had planned it all out from day one and that this led logically to that and then I did this and then that followed quite naturally from that. But that's not how it felt.

  Brian Eno

  Writing, Historical, Looks

  Interview with Mark Richardson, pitchfork.com. November 1, 2010.

• In fact, quite a lot of what I do has to do with sound texture, and, you can't notate that. You can't notate the sound of "St. Elmo's Fire." There's no way of writing that down. That's because musical notation arose at a time when sound textures were limited. If you said violins and woodwind that defined the sound texture; if I say synthesizer and guitar it means nothing - you're talking about 28,000 variables.

  Brian Eno

  Writing, Mean, Musical

  Source: www.interviewmagazine.com

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