Books have a unique way of stopping time in a particular moment and saying: Let’s not forget this.
I think almost every writer in the world would hope that books would be always talked about with respect and civility and depth and seriousness.
I don't mean to beat a made-in-America drum, but I would be lying if I said it doesn't feel somehow right to be printing books in the U.S.
Do not be critics, you people, I beg you. I was a critic and I wish I could take it all back because it came from a smelly and ignorant place in me, and spoke with a voice that was all rage and envy. Do not dismiss a book until you have written one, and do not dismiss a movie until you have made one, and do not dismiss a person until you have met them. It is a f@*$%load of work to be open-minded and generous and understanding and forgiving and accepting, but Christ, that is what matters. What matters is saying yes.
This boy thinks I am not of his species, that I am some other kind of creature, one that can be crushed under the weight of a phone book. The pain is not great, but the symbolism is disagreeable.
Then he got more books. He saved all the books.
It's so easy to print in the Midwest. You're saving months in shipping and customs, so we have started printing a number of books there.
When I was on the bestseller list with the first book, everyone who knows me knows that every week it continued to be on the list was a very dark week for me. Everyone knows that all I wanted was to be off that list.
Tim O'Brien's book about Vietnam, The Things They Carried, has won every award, is studied in college and is considered to be definitive. But it's fiction.
Nonfiction narratives are really powerful and valid in themselves. But one thing that you don't get sometimes from the more clinical or academic books or nonfiction books is that you don't get to hear the person's voice; you don't get them as individuals. You get a few quotes and you hear them as sort of a case study: numbers, examples, anecdotes, maybe a paragraph here, and that's about it.
Every time I get through the work on a book of nonfiction, I say I'll never do it again; it takes so much out of you.
I'm never a fan of the sociopathic kind of reviewing, people who are sort of self-immolating and have social problems or whatever, and let it out in literary-criticism form. I just feel like book reviewing should be respectful and calm and not filled with bile.
When you adapt a book, you really have to cut it to the essence.
I publish my own books, so there isn't a certain editor I owe the book to at a publishing house.
I worked at magazines for over 10 years before I even thought of writing a book.
Write your goddamned book now. The world awaits.
It was just an idea I had, that it could be cool to have a book covered in fake fur.
McSweeney's as a publishing company is built on a business model that only works when we sell physical books. So we try to put a lot of effort into the design and production of the book-as-object.
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