There were only a few seats left in coach and Bob found himself seated next to a young female fan. 'I can't believe I'm sitting next to Bob Dylan!' she screamed.'Pinch yourself,' said Bob."
I'm mortified to be on the stage, but then again, it's the only place where I'm happy.
I realize I don't do a very good job in keeping up to date, but I try to.
It rubs me the wrong way, a camera... It's a frightening thing...Cameras make ghosts out of people.
Stop all this weeping, swallow your pride/ You will not die, its not poison -Tombstone Blues
Romance never does go out of fashion. It's radical. But it's out of step with the current media culture.
May God bless and keep you always, May your wishes all come true, May you always do for others And let others do for you. May you build a ladder to the stars And climb on every rung, May you stay forever young.
There are degrees of happiness. You go from one to the other and then back again. It's hard to be completely happy when those around us are suffering and groaning from hunger.
Broken bottles, broken plates, broken switches, broken gates. Broken dishes, broken parts, streets are filled with broken hearts.
I like spiritual songs. They struck me as truthful and serious. They brought me down to earth and they lifted me up all in the same moment.
I always thought the best kind of sunglasses are the motorcycle helmets with the black plastic masks on them. That way, nobody can recognize the back of your head either.
One night around that time, at Hammersmith, Bob Dylan was about to go into [his 1963 classic] 'Don't Think Twice, It's Alright.He said, 'Hey, Bucky! Play mandolin on this.' I am not really a mandolin player; I could only play in certain keys. Halfway through, he stops the band, turns to the audience and points to me. He says: 'He isn't playing, he's miming.' And then: 'Should I fire him?' The whole audience yells.
Let me feel your love one more time before I abandon it.
People talk about Frank Sinatra all the time - and they should talk about Frank - but he had the greatest arrangers. They worked for him in a different kind of way than they worked for other people. They gave him arrangements that are just sublime on every level. And he, of course, could match that because he had this ability to get inside of the song in a sort of a conversational way. Frank sang to you, not at you, like so many pop singers today. Even singers of standards.
I put one on the turntable and when the needle dropped, I was stunned - didn't know whether I was stoned or straight.
Everything's a business. Love, truth, beauty. Conversation is a business. Spirituality is not a business, so it's going to go against the grain of people who are trying to exploit other people.
Old New York City is a friendly old town From Washington Heights to Harlem on down There's a-mighty many people all millin' all around They'll kick you when you're up and knock you when you're down It's hard times in the city Livin' down in New York town
Once you think you know the song, then you have go and see how other people have done it.
Most songs have bridges in them, to distract listeners from the main verses of a song so they don't get bored. My songs don't have a lot of bridges because lyric poetry never had them.
I'm gonna spare the defeated. I'm gonna tame the proud.
My senses have been stripped, my hands can't feel to grip, my toes to numb to step, wait only for my boot heels to be wandering.
Can you please crawl out your window? Use your arms and your legs, it won't ruin you
What good are fans? You can't eat applause for breakfast. You can't sleep with it.
You got men who can't hold peace and women who can't control their tongues. The rich seduce the poor, and the old seduce the young.
You travel the world, you go see different things. I like to see Shakespeare plays, so I'll go - I mean, even if it's in a different language. I don't care, I just like Shakespeare, you know. I've seen Othello and Hamlet and Merchant of Venice over the years, and some versions are better than others. Way better. It's like hearing a bad version of a song. But then somewhere else, somebody has a great version.
"America was founded on the backs of slaves."
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