I find most films about fashion terrible because they are caricaturish.
I've directed five films and I've proven that people have made money with my films - many people have made money with my films.
It's terrifying. Women make their first film, their second film, and then it's like a nightmare, right, to make the third or fourth? I mean, it's almost like men can have three films in a row that don't do that well and keep on going.
I've proven that I'm not a complete failure. Every film has done well. It's like, "So, okay, when do I get my deal at Warner Bros?
We didn’t want to disrupt the creative process. We have the chance to make the films we want because the films are not expensive. It’s very rare to be able to do that. It’s completely pure.
Some films do portray women in their 40s well, and some other films don't. Some films are written by women, so maybe there's a little more accuracy there.
Some people are still very romantic! I mean, those funny vampire films are super romantic, and I don't think that's bad. It means there are a lot of people who still believe in love in a weird way. Okay, it's a cheesy way, and I guess if you think about it, you're like, "Wait, you can love them as long as they're dead?" Maybe that's the point. Maybe it's more twisted than I thought. You can love but you can't age.
I went to film school to make films just because you're in control of the story.
The truth is I don't see a lot of movies. I see the Oscar films. I see the films that are sent to me and a few films throughout the year.
I had to trick people into giving me money for my first film. Making a romantic comedy is easier and more expected from a woman than it is to make a drama about a Japanese warrior.
I put my films together in Europe and it kick-starts the financing when I'm attached as an actress. It makes it easier to move forward.
I make these little films. I'm just a working person. I just study people a little bit more. It's more sociological, and it's funny anyway - not that serious. It's not like false humility. I just take it for what it is.
I have a few other films in my life where I'm not attached and for a long time it was too complicated. Now it's starting to change because other actresses actually want to work with me, which is great.
In real life, when you speak with each other you overlap each other, so you can't fake that. Like especially when you have no cut. In a regular film when you want people to overlap you cut it that way. It's mixing and editing.
I did a film that I shot in 24 hours that was self-financed for $5,000. It was a feature called Looking For Jimmy that I shot with a bunch of friends. I spent eight months editing because we had 24 hours of footage that made no sense and I learned a lot about directing while editing that film.
The way I work is that I never let people do an assembly. I don't like it because it shapes the film in a way that I can't really control. To me, editing is making the film and it's a huge process and editors are under-rated.
What's funny is that with my comedies I don't believe they're my best screenplays necessarily. They're just the ones that I wrote that I knew I could get financing, you know? I believe my other films could be better, but right now they're not being made. But they will eventually.
Follow AzQuotes on Facebook, Twitter and Google+. Every day we present the best quotes! Improve yourself, find your inspiration, share with friends
or simply: