I remain, however, fairly optimistic for the future of period drama because it's just such a popular thing.
Novels often have leisurely openings; a TV drama needs an arresting opening.
From time to time there is a move to do a little less in the way of period dramas, but people rebel. Audiences say we want them. There is a big hunger for them. I don't think it's sentimentality or nostalgia, it's often that they are simply the best stories.
I'd love to adapt more contemporary novels. But there isn't really enough story and character to make a really satisfying serial, so they tend to be single dramas.
I'm not one of these people who say how much better American drama is than English. I find it mostly too American, except for The Sopranos, which I think is the best thing.
The joy of writing drama is putting yourself into different people's heads.
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